A Quote by Garry Kasparov
Nowadays, a 13-year-old would probably know more than Bobby Fischer knew when he retired. They analyse all the moves and prepare themselves on their computers. But that doesn’t mean they are special.
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I told my friend - we were working on a movie together - and he gave me a script and asked me to give him notes. And they were all male characters, and I said, "You know what would make this character more interesting?" And he asked what - and it's this road trip between three guys, basically, one older man, one 30-year-old and a 13-year-old mechanic. And I said, "If you make the 13-year-old a girl, and you make her an Indian-American mechanic." And he said, "What do you mean?" And I said, "Yeah, don't change anything in the script about him, and just make it a her."
When Grand Masters play, they see the logic of their opponent's moves. One's moves may be so powerful that the other may not be able to stop him, but the plan behind the moves will be clear. Not so with Fischer. His moves did not make sense - at least to all the rest of us they didn't. We were playing chess, Fischer was playing something else, call it what you will. Naturally, there would come a time when we finally would understand what those moves had been about. But by then it was too late. We were dead.
As far as change, anyone from the age of 13 to 19, you become a whole new person because you grow up. There was so much that I didn't know or that I thought I knew because I was just a 13-year-old at the time who thought I knew everything. But I realized very quickly that, no, there's so much about everything that I don't. So what I've at least tried to do is accept that I don't know everything. Life is so much more fun that way. And it's easier. I've just been trying to learn, rather than to pretend that I'm perfect.
Usually for a movie, if you want a 13-year-old, you get a 16-year-old who looks 13, because 13-year-olds dont have that level of self-awareness.
It's a very special generation, because during our careers the computer entered chess. So we know how to play without computers, which is also important. We can analyse without computers. I am not saying that younger players cannot do this, but we are more in the habit of doing this. That's important to improve your chess understanding.
I mean, you know, I get a tremendous positive charge every day just from knowing these kids and who they are. I mean, Larry, my 12-year-old son is my hero in life. Could there be a greater privilege than that? I mean, I can't imagine anything that would be more exciting.
When I was 15, I became the youngest grandmaster in the world, breaking the record set by Bobby Fischer more than three decades earlier.
Whenever I had been racially vilified before it had been by peers or drunk men. It's more shocking when it's a 13-year-old child. No 13-year-old is racist.
I like to say that Bobby Fischer was the greatest player ever. But what made Fischer a genius was his ability to blend an American freshness and pragmatism with Russian ideas about strategy
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
The life of a chess master is much more difficult than that of an artist - much more depressing. An artist knows that someday there'll be recognition and monetary reward, but for the chess master there is little public recognition and absolutely no hope of supporting himself by his endeavors. If Bobby Fischer came to me for advice, I certainly would not discourage him - as if anyone could - but I would try to make it positively clear that he will never have any money from chess, live a monk-like existence and know more rejection than any artist ever has, struggling to be known and accepted.
When I played Bobby Fischer, my opponent fought against organizations - the television producers and the match organizers. But he never fought against me personally. I lost to Bobby before the match because he was already stronger than I. He won normally.
My 13-year-old self would have beaten up my 17-year-old self because she would be like, 'You're a sellout!'
When I came to the United States, I appeared on the Ed Sullivan Show as a 13-year-old, and I played a Mendelssohn Concerto, and it sounded like a talented 13-year-old with a lot of promise. But it did not sound like a finished product.
When I was in Congress, I worked with Joe Kennedy to rename the Justice Department for Bobby, and when I retired, Teddy Kennedy sent me this Roy Lichtenstein print of his brother, inscribed: 'Bobby would have been proud of you.'
Fashion is, after all, a form of escapism, and in fact people are buying more special things than ever, nowadays. They deny and deny themselves, and wait and wait, and then they get sick of it and spend to make themselves feel better.
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