A Quote by Garry Kasparov
I don't really like discussions about a supposed Russian national character.
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Vladimir Putin is a Russian czar. He's kind of a mix of Peter the Great and Stalin. He's got both in his veins. And he looks out first and foremost for the national security interests of Russia. He accepts that, in Eastern Europe, that is a Russian backyard, that is a Russian sphere of influence. Ukraine lives most uncomfortably and unhappily in a Russian backyard.
Once your kid reaches middle school, parents are really supposed to fade out of the social picture. Kids are supposed to make their own plans, keep up with sophisticatedly crude discussions, and be able to go out on their own without supervision.
You don't really get Jesus saying very often there'll be pie in the sky when you die. He's really talking about now and today, and it's supposed to be like that. You're supposed to delight in what's right in front of you.
My character isn't supposed to be flashy and be over-the-top. I'm supposed to be dirty in the ring. I'm supposed to kick and punch, and I'm supposed to cheat and find ways to win at all costs.
National security is a really big problem for journalists, because no journalist worth his salt wants to endanger the national security, but the law talks about anyone who endangers the security of the United States is going to go to jail. So, here you are, especially in the Pentagon. Some guy tells you something. He says that's a national security matter. Well, you're supposed to tremble and get scared and it never, almost never means the security of the national government. More likely to mean the security or the personal happiness of the guy who is telling you something.
I love actors. I love working with actors. I really enjoy the process. I love having those in-depth discussions about the interior of their character, and actors really love to discuss that too.
I lived in Moscow for four years and really, really enjoyed it, and I have a really deep love for the Russian language and Russian culture.
There's an old Russian saying that goes some way or another. I don't know it. I don't speak Russian. But sometimes I think about it and wonder if it's relevant to what I'm going through at the time. Probably not. I mean what do Russian know about hunger, anyway?
The thing about Russia? Everyone is Russian. They're just Russian. They're Russian.
America has always welcomed anyone willing to assimilate to its national character. But radical Islam rejects assimilation and is bent on the conquest of our national character.
I was raised in New York City and raised in the New York City theater world. My father was a theater director and an acting teacher, and it was not uncommon for me to have long discussions about the method and what the various different processes were to finding a character and exploring character and realizing that character.
I suppose people hadn't really thought each decade should have its own character and be different from the others till the 1920s, although I remember in a nineteenth-century Russian novel someone remarked that a character was a typical man of the 1830s - progressive and an atheist.
Russian people really don't like it when somebody does horrible things in Russia, and then can calmly go travel to another country and spend time there. And this is what needs to be done: the Russian people need to be told this, because in today's world, just doing something is not enough. You've got to tell about it, too. If you've done something and haven't told about it, it's as good as if you hadn't done it at all.
I don’t get into these long-winded heavy discussions about character - do we do this or that or what. At the end of the day, what you gotta do is just go out there and do it.
I don't get into these long-winded heavy discussions about character - do we do this or that or what. At the end of the day, what you gotta do is just go out there and do it.
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
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