A Quote by Garry Marshall
I didn't want to do movies with hundreds of camels crossing the desert followed by tanks and this and that.
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The 'Desert' sweeps up to the walls of Baghdad, but it is a misnomer to call the vast level of rich, stoneless, alluvial soil a desert. It is a dead flat of uninhabited earth; orange colocynth balls, a little wormwood, and some alkaline plants which camels eat, being its chief products. After the inundations, reedy grass grows in the hollows.
Just like a caravan of camels walking in the desert, be durable against the adversities of life and walk with decisive steps.
I've been on camels before, lumbering slowly through the desert - not hugely exciting, but I enjoyed the 'Lawrence of Arabia' vibe.
Old Camels carry young Camels skins to the Market.
Talking about straws and camels' backs is just one way of approaching things. If you have enough camels, no backs need be broken.
All movies are inherently collaborative, and animation even more so. There are hundreds and hundreds of people involved with an animated movie.
Onward we stagger, and if the tanks come, may God help the tanks.
The man in black fled across the desert, and the gunslinger followed.
There where hundreds of graves. There where hundreds of women. There were hundreds of daughters. There were hundreds of sons. And hundreds upon hundreds upon thousands of candles. The whole graveyard was one swarm of candleshine as if a population of fireflies had heard of a Grand Conglomeration and had flown here to settle in and flame upon the stones and light the brown faces and the dark eyes and the black hair.
'Tracks' is based on the book by Robyn Davidson who, in the mid-Seventies, decided to leave the city, go to the outback, learn to train camels and walk across the Australian desert to the ocean: a journey that is about two thousand miles and will take about six or seven months.
We've all watched hundreds of movies from characters' points of view that are not our own. That's part of the gift movies give us.
Donating money to a few of my favorite free-market organizations used to be a pleasant duty, but now I'm literally inundated with demands from hundreds of think tanks and public-policy groups, all vying for my limited funds
During the war, in which several of our embedded correspondents were able to report from moving vehicles crossing the Iraqi desert, the use of technology made news gathering safer.
If I wanted to do TV full-time, 'Breaking Bad' is definitely the type of project I would want to do. But TV is not my favorite thing in the world. I definitely want to focus on film. It's what I grew up loving. It's always been about movies, movies, movies, movies, movies. I really want to make great films.
There are places I don't want to go. Making movies on tops of mountains, in the desert, playing scenes while icy torrents of rivers rush by. The jungle. It's very uncomfortable.
A lot of my work involves criss-crossing London to visit the many hundreds of projects, theaters, galleries, museums and groups that comprise the capital's astonishingly rich cultural life.
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