A Quote by Garry Winogrand
The photograph should be more interesting or more beautiful than what was photographed
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You learn to see by practice. It's Just like playing tennis, you get better the more you play. The more you look around at things, the more you see. The more you photograph, the more you realize what can be photographed and what can't be photographed. You just have to keep doing it.
The photograph is always more interesting than what the photograph is of.
The more you photograph, the more you realize what can and what can't be photographed. You just have to keep doing it.
The thing itself photographed becomes less interesting when you go back to it years later but I think the photograph becomes more important later when the reality has passed.
I try to photograph what can't be photographed - psychological or subjective reality, which seems more real than physical or consensual reality.
The great gifts of models are not that they're more beautiful than the next person, it's that they're able to be photographed and not be self-conscious.
Photograph the world as it is. Nothing's more interesting than reality.
One of the magical things about photography is the transformation that takes place when you photograph something. Something that inherently has very little going for it in terms of the interest you take in it, can become infinitely more interesting when rendered as a photograph. It's no longer a building. It's a photograph.
I think it is quite wrong to photograph, for example, Garbo, if she doesn't want to be photographed. Now I would have loved to photograph her, but she obviously didn't want to be photographed so I didn't follow it up. Then somebody will photograph her walking down the street because she has to walk down the street, and I mind that sort of intrusion. I think this is horrible.
There is nothing more humanly beautiful than a woman's breasts. Nothing more humanly beautiful, nothing more humanly mysterious than why men should want to caress, over and over again, with paintbrush or chisel or hand, these oddly curved fatty sacs, and nothing more humanly endearing than our complicity (I mean the complicity of women) in their obsession.
Marilyn Monroe gave more to the still camera than any actress, any woman I've ever photographed; infinitely more patient, more demanding of herself and more comfortable in front of the camera than away from it.
The minute you start saying something, 'Ah, how beautiful! We must photograph it!' you are already close to view of the person who thinks that everything that is not photographed is lost, as if it had never existed, and that therefore, in order really to live, you must photograph as much as you can, and to photograph as much as you can you must either live in the most photographable way possible, or else consider photographable every moment of your life. The first course leads to stupidity; the second to madness.
More often than not, whenever gossip has been written about me, the gossip is more interesting than the reality. I know some public figures hate gossip, but personally I like it because it makes my life sound more glamorous and interesting than it really is.
Life, with all it's sorrows, cares, perplexities and heart-breaks, is more interesting than bovine placidity, hence more desirable. The more interesting it is, the happier it is.
Most English-speaking people, for instance, will admit that cellar door is 'beautiful', especially if dissociated from its sense (and its spelling). More beautiful than, say, sky, and far more beautiful than beautiful. Well then, in Welsh for me cellar doors are extraordinarily frequent.
I’m just trying to not be in stupid gossip magazines, basically, and I think the best way to do it is never be photographed ever. As I get older, I just get more and more and more self-conscious about getting photographed. I don’t know why. I’ve done it too many times and now I feel like everyone can see through me.
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