A Quote by Garry Winogrand
Let's put it this way - I photograph what interests me all the time. I live with the pictures to see what that thing looks like photographed. I'm saying the same thing; I'm not changing it.
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As far as the surface is concerned - oil on canvas, conventionally applied - my pictures have little to do with the original photograph. They are totally painting (whatever that may mean). On the other hand, they are so like the photograph that the thing that distinguished the photograph from all other pictures remains intact.
The minute you start saying something, 'Ah, how beautiful! We must photograph it!' you are already close to view of the person who thinks that everything that is not photographed is lost, as if it had never existed, and that therefore, in order really to live, you must photograph as much as you can, and to photograph as much as you can you must either live in the most photographable way possible, or else consider photographable every moment of your life. The first course leads to stupidity; the second to madness.
I live in the Hollywood Hills. When I see a cop driving around there, I actually assume that he has my best interests at heart and that he has the best interests of my property at heart. I think if you'd go to Pasadena, they'd say the same thing. And I think if you knocked on doors in Glendale and asked them, they'd say the same thing.
If I put myself on the side of those who see the world as warming up in a bad way, who see the general march of industrial culture as something undesirable, the one thing I must be beware of doing and which my colleagues on that side don't beware of doing, we must beware of saying we've got to stop changing the environment. There is no 'the' environment which we can change, the world is changing all the time.
Photography is not about the thing photographed. It is about how that thing looks photographed.
I don't want to put nobody on blast but in the beginning it's like somebody telling you somebody looks like you and you've been looking in the mirror your whole life and nobody looks like you. Same thing with me.
So many times I've photographed stories that show the degradation of the planet. I had one idea to go and photograph the factories that were polluting, and to see all the deposits of garbage. But, in the end, I thought the only way to give us an incentive, to bring hope, is to show the pictures of the pristine planet - to see the innocence.
A photograph is a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photograph are often contradictory. These contradictions both hide and increase the natural ambiguity of the photographic image.
To photograph is to appropriate the thing photographed. It means putting oneself into a certain relation to the world that feels like knowledge-and therefore, like power.
You can go back 150 years and literally find the same people saying the same thing in the same way. "If we have to pay you more, it will be bad for you." And that's because saying that is a much more polite way of saying, "I'm rich, you're poor, and I would prefer to keep it that way."
There's also an aspect which I tried to express yesterday by saying the same "something" that looks out through Curlys eyes is also the same exact thing which looks out of Moe's eyes, and that's harder for people to grasp. So the thing is, you have to find a way to ultimately embrace both sides or else you can't function. If you only embrace the side of pure oneness then you end up sort of spacing out and sitting under a blanket.
I don't put on a face. I'm the same guy every time you see me. I like to laugh, I like to smile, and I don't take myself too seriously. I can be a goofball. When I come home, the only thing that changes is that I take off the suit and put on tennis shorts and play with the kids.
I have realized that you can close yourself off to life if you put walls up, but it's a difficult thing ... You can't see over, people can't see in, and you also can't see out. So I've gotten quite comfortable with just being unafraid. I keep saying the same thing: it's not about being fearless but really just embracing the fears and using them.
I don't want to have to put on that "thing" - I call it "the thing" when I have to do my hair, put on the lashes, get dressed up. When I go out for potato chips, I just want to go out looking like myself, which means you will see bad pictures of me. There probably are some out there right now, but it's just part of the life.
You learn to see by practice. It's Just like playing tennis, you get better the more you play. The more you look around at things, the more you see. The more you photograph, the more you realize what can be photographed and what can't be photographed. You just have to keep doing it.
As my guests leave even my most simple parties, I consistently hear the same thing: 'That was the best time I ever had,' and it's always me saying it. But I do know in my heart they all feel the same way, probably.
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