A Quote by Garry Winogrand
Sometimes I feel like . . . the world is a place I bought a ticket to. It’s a big show for me, as if it wouldn’t happen if I wasn’t there with a camera.
Related Quotes
A friend bought me a plane ticket to Hawaii, which is where I got discovered and became an actor, so I guess a friend bought me a winning lottery ticket.
I quit my job. I bought myself a real cheap, like, around-the-world flight ticket, and I went to 16 countries for six months just backpacking, living in cheap hostels, looking for stories with a camera and my ex-girlfriend.
I have no problem if you bought a Justin Timberlake ticket and you decide to go sell that ticket to somebody. We would first and foremost want to make sure that the first ticket sold, that the fan has a shot to buy that ticket.
Usually, someone who's in a show gets me a ticket. I feel cornered. I can't walk out if I don't like it.
I know how stupid people can be. I've played in front of 5,000 people that bought a ticket to my concert, and some guy who's bought a ticket decides he's going to throw a bottle at my head. That's a simple act of stupidity. That's not even defiance.
The last guy tried to get out of me writing him a ticket by saying, 'Kiss me, big boy, kiss me like there's no tomorrow!'...as I recall, I didn't write that ticket.
Audiences like to be made to feel that there is a world where things go right: where big emotions can happen and yet feel safe. This is why there is a constant tension in Hollywood between studios who want happy endings and writers who want to explore the human condition. There is a time and a place for both!
Whatever Iranian people have bought, they have bought in the black market. It is not clear what they have bought, how many secondhand materials they have bought. I am very worried that something like Chernobyl will happen to Iran.
I bought my first camera to photograph my brother's children. I learned a lot from that experience. The value of innocence and of not being focused on yourself, and I have to say that these things have remained with me to this day. I can immediately feel when someone is putting on a camera face.
Climbing a big wall over several days is like running a giant construction project: constantly making lists, rigging ropes, organising food, figuring out camera angles - but you're in this crazy place with your best friends, and it does take on a party atmosphere sometimes, like a big dudes' camping trip.
What would be great is if everyone who bought a record got a comp ticket to a show.
Sometimes a camera comes out and people freeze up a little, and I'm like that with normal cameras, but with a film camera, I feel different.
What were the odds that she'd turn away at the same instant the ball came flying her way? And that she'd be holding a soda in a crowd at a volleyball game she didn't even want to watch, in a place she didn't want to be? In a million years, the same thing should probably never happen again. With odds like that, she should have bought a lottery ticket.
I ran away from my home in Gwalior and bought myself a ticket to Delhi. That was the nearest metro, and the cheapest ticket was for Rs 74.
The reason I started drag in the first place is because I felt like I never really fit in, and I still don't feel like I fit in to any of those places: the drag world, the circus world or the burlesque world. I'm kinda this combination of everything, so it made sense to me that I'd set out to do my own solo show.
I remember once I went to go see a movie, and in front of me in line there was a little boy who looked so eager to see it, like it was Christmas morning. When he got to the ticket booth it turned out there was only one ticket left; the manager was there and wanted to give it to me instead since I was famous. That's when I knew I'd hit it big.
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