A Quote by Garry Winogrand

I don't know if all the women in the photographs are beautiful, but I do know that the women are beautiful in the photographs. — © Garry Winogrand
I don't know if all the women in the photographs are beautiful, but I do know that the women are beautiful in the photographs.
Saudi Arabia is so conservative. At first there were photographs of women I took that I couldn't publish - of women without their abayas. So I started writing out little anecdotes about things I couldn't photograph and wove it in with a more obscure picture and called it "moments that got away". I realised these worked as well as the photographs by themselves. There are a lot of photographers who feel the story is all in the photographs but I really believe in weaving in complementary words with the pictures.
I've had photographs taken for portraits because I very much prefer working from the photographs than from models... I couldn't attempt to do a portrait from photographs of somebody I didn't know.
In assembling this group of portraits of women, I'm aware that I'm treading on dangerous ground. When I was in college, I learned to be distrustful of men's depictions of women. I remember seeing Garry Winogrand's book Women Are Beautiful in the school library and being shocked that it hadn't been defaced for its blatant objectification of women. But looking back, maybe I was too harsh. Whether one photographs men or women, it is always a form of objectification. Whatever you say about Winogrand, his depiction was honest.
The notion that Playboy exploited women, because we showed them in beautiful photographs, sexually oriented, strikes me as rather bizarre.
Plain women know more about men than beautiful ones do. But beautiful women don't need to know about men. It's the men who have to know about beautiful women.
As a scientist Miss [Rosalind] Franklin was distinguished by extreme clarity and perfection in everything she undertook. Her photographs are among the most beautiful X-ray photographs of any substance ever taken.
I like to undress women - not to dress them. You know, like Manet's 'Olympia' or Helmut Newton's photographs - naked women with shoes. This is what I am trying to do.
There's a difference between hot women and beautiful women. Hot women are everywhere; they abound. They are beautified, not beautiful. Beautiful women, on the other hand, are rare and a real mystery. Hotness speaks to our impulses. Beauty speaks to our imagination.
We as women are trained to see ourselves as cheap imitations of fashion photographs, rather than seeing fashion photographs as cheap imitations of women
There are more pretty photographs of women than there are photographs of pretty women.
I know it's not clothes that make women beautiful or otherwise, nor beauty care, nor expensive creams, nor the distinction of costliness of their finery. I know the problem lies elsewhere. I don't know where. I only know it isn't where women think.
We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we want to see and make.
Girls aren't beautiful, they're pretty. Beautiful is too heavy a word to assign to a girl. Women are beautiful because their faces show that they know they have lost something and picked up something else.
I don't see a problem with looking at women as beautiful objects. I'm an artist. I don't know how to paint, but I know how to make music, and women are art.
Plain women know more about men than beautiful women do.
Delhi women - they're the most beautiful women! But the fact remains that they know they are gorgeous.
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