A Quote by Garry Winogrand

As far as my end of it, photographing, goes, all I'm interested in is pictures, frankly. I went to events, and it would have been very easy to just illustrate that idea about the relationships between the press and the event, you know.
Our very sense of situation is now articulated by the camera's interventions. The omnipresence of cameras persuasively suggests that time consists of interesting events, events worth photographing. This, in turn, makes it easy to feel that any event, once underway, and whatever its moral character, should be allowed to complete itself - so that something else can be brought into the world, the photograph.
I just happened to have my camera and be photographing my friends. It was totally innocent; there was no purpose to the photographs. There was a purity to them that wasn't planned; it was realism. Over the years, the work has changed for me. I know that I have wanted to repeat myself, but I can't. I've been lost a lot of times, but then I'd just get an idea and photograph it. Once I'd started, I'd know exactly what would go down and how it would end. So I just quit doing it, because it loses all interest for me when you know what's going to happen.
I know that some of the folks in the press are uptight about this [moving the press corps out of the West Wing ], and I understand. What we're - the only thing that's been discussed is whether or not the initial press conferences are going to be in that small press - and for the people listening to this that don't know this, that the press room that people see on TV is very, very tiny. Forty-nine people fit in that press room.
I hope for quick, fluent copy and memorable pictures. The words would not 'describe' the pictures; the pictures would not 'illustrate' the words. Together, they would carry a stamp and tell a story.
I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women. I'd been thinking about what I would want to do with that if I was going to write on that theme, and one morning I woke up and Calvin and Ruby Sparks were in my head.
I have been photographing the portrait of an end of an era, as machines and computers replace human workers. What we have in these pictures is an archeology.
I've always been interested in Vietnam, feel it's a seminal event in our nation's history, and have explored it over the years - but I hadn't been interested in doing a documentary about it. I felt there had been a lot done about Vietnam, and didn't know if I could add anything new to the discussion.
For this too I learned, that a storyteller's tale may end, but history goes on always. These events, so distant in legend, play a part in shaping the very events we witness about us, each and every day.
I have always been very interested in the idea of loneliness and the presumption that romantic relationships are supposed to rid you of that.
There are certain relationships in our lives that implode, and it can feel really inexplicable and terrifying. You don't know why, and sometimes relationships end for reasons that one person keeps from the other person, and it's just totally unclear, and it just goes south and it's heartbreaking.
I'm very much interested in water and women in water. I've been photographing that for years although I didn't really know it at the time.
I know as a child, I was really interested in becoming a manga artist, to create my own stories and illustrate them and present something that people would be interested in reading and looking at as well.
If I could be said to have any kind of aesthetic, it's sort of a magpie aesthetic - I just go and pick up whatever is around. If you think about it, the children were there, so I took pictures of my children. It's not that I'm interested in children that much or photographing them - it's just that they were there.
I fell in love with this idea that you could press a button and an SUV would show up. That idea of bringing mobility to places where it hadn't been an easy option - that was a pretty compelling mission. It was a huge, huge challenge.
A lot has to be the NBA. I don't know if I can say it is the egos of the players or the money that goes around and everything. But those relationships between the coaches and the players are just not the same. They are not even close to the European coach-player relationships.
Frankly, I was surprised at how generous the Japanese press has been to the idea of a foreigner running Sony.
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