A Quote by Garry Winogrand
Tod or Hank Wessel, Bill Dane, Paul McConough, Steve Shore. Robert Adams, for sure. I'm ready to see what they do.There's a lot of people working reasonably intelligently.
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I always related most to Steve McQueen because he was more of an outcast than Robert Redford or Paul Newman.
People like, George Soros, Bill Gates, Warren Buffett, Paul Krugman, Joe Stiglitz, Jeffrey Sax, Dean Baker, Robert Poland, Larry Summers have said they all support a transaction tax.
We want an economic team, Paul Krugman and Robert Kuttner, Joseph Steiglitz's people and others, who say, you know what? We're sophisticated economists but we're concerned about poor and working people.
Hank Williams, Hank Jr. and myself, if you check your history, you'll see that they've always played in rowdy environments. Part of that is a lot of people are coming to forget their problems and not being told what to do for a couple of hours and not try to have anything sold to them or pushed on them.
In '84 there was Raheem, Slim Jukebox, and Sir Rap-A-Lot. Those were the first three members of the Geto Boys with DJ Ready Red. By '85 it was Prince Johnny C, Slim Jukebox, Bushwick Bill, and DJ Ready Red. By '89 it was Scarface, Willie D, Bushwick Bill, and Ready Red.
Quality doesn't mean deep blacks and whatever tonal range. That's not quality, that's a kind of quality. The pictures of Robert Frank might strike someone as being sloppy-the tone range isn't right and things like that-but they're far superior to the pictures of Ansel Adams with regard to quality, because the quality of Ansel Adams, if I may say so, is essentially the quality of a postcard. But the quality of Robert Frank is a quality that has something to do with what he's doing, what his mind is. It's not balancing out the sky to the sand and so forth. It's got to do with intention.
And that is called paying the Dane-geld; but we've proved it again and again, that if once you have paid him the Dane-geld you never get rid of the Dane.
You know the famous quote, sometimes you have to be ready so you don't have to get ready. I do a lot of things that, it's like, off the camera, that a lot of people don't see me do.
"Hey, do you wanna go out for..." His words melted with a sigh when he noticed Tod, but then he rallied with a smile. "Hi, Tod, I didn't realise you were here. In my daughter's bedroom. With the door closed." "Happy to be here," Tod said, and I groaned out loud.
Steve Howe met Paul Simon and said that Paul was very approving of our version of 'America.'
I like Bill a lot. As Bill is presented, I mean you don't ever see Bill blow her head off? You know? And I think what Quentin has done is he created a monster.
What Steve Jobs and I did-and at the same time Bill Gates and Paul Allen did-we had no savings accounts, no friends that could loan us money. But we had ideas, and I wanted all my life to be a part of a revolution.
I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.
My - mine is based on the fact that Bill Clinton has done - and I'm - this sounds like hyperbole, but he has done more harm to the Constitution and the Bill of Rights than any president since John Adams.
There's only one Hank Williams, man. Singing that high-voiced style, them bluegrassers, I don't see how they do it - Jimmy Martin, Bill Monroe - it's just a natural thing, man.
I'm very fortunate to have the privilege of working with directors like Bill Condon and Paul Thomas Anderson, who I think is one of the greatest filmmakers of our time.
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