A Quote by Garth Ennis

Howard Chaykin was one of the few who dared to make mainstream comics different back in the eighties; it was guys like him, Alan Moore and Frank Miller who made sure there'd be no going back. Howard's work on The Shadow is amongst his very best: razor-sharp character work, sizzling dialogue and an unsurpassed sense of layout and design.
I give him (Frank Howard during April 28, 1968 two-hitter) shoulder, back, foot and the ball last," and Frank Howard commented, "He threw everything at me but the ball.
I'm a huge Howard the Duck fan. For people who don't know, I'm a huge Marvel Comics fan, but Howard the Duck was maybe my favorite character as a kid. I went back, and I collected all of those comics. I had every comic he was ever in.
I was into Alan Moore and Frank Miller. I was a teenager when all those books where coming out for the first time - 'Watchmen,' 'V for Vendetta.' It was a great time to get into comics.
Not since Walter Gibson has anyone been better suited to The Shadow than Howard Chaykin
I have a feeling a lot of artists' work got lost [because of AIDS]. Howard was fortunate because his family and friends supported him, but a chilling thing I remember was these guys at St. Vincent's [Hospital] who would call out for someone to listen to them, just for a moment. They were dying alone. Who knows what happened to their work? It's been a process to follow the thread to find out everything Howard did. It's getting over that shock.
Abbott is a good man to fix up messes and make new policy work ... If he gets it right - and Howard will back him with big bucks - Abbott could clean-up his image and restore his appeal as a future leader.
Did you see Howard Dean ranting and raving? Here's a little tip Howard - cut back on the Red Bull.
The regular guy still relates to him and Howard is a $500 million guy now who dates a model and drives about in a limo all day. But Howard still knows how to make a plumber laugh and those guys still have him on in the morning, because he is a real talent.
Howard Hughes himself was a regular at the restaurant, and in a way it became his headquarters, too. Howard had recently relocated to Las Vegas, so when he wanted to do business in Los Angeles, he went into the back of our restaurant to use the telephone.
Amiri Baraka went to Howard. Lucille Clifton went to Howard. Ossie Davis went to Howard. And I was aware of that when I was there. Charles Drew went to Howard. Thurgood Marshall went to the law school. Being aware of that and having all of that brought to bear, again, it's one of those things that I can't really separate from my career as a writer.
A lot of Democrats are not that upset with Howard Dean. Howard Dean gets out here and he says these inflammatory things, and he doesn't apologize. He doesn't back down a little bit.
I like books that have razor-sharp plotting that snaps and moves along. It's not about the main character being different at the end. I don't want my main character to be different in the end. I still want him committed to his ideas, to be steadfast, true and loyal
I like books that have razor-sharp plotting that snaps and moves along. It's not about the main character being different at the end. I don't want my main character to be different in the end. I still want him committed to his ideas, to be steadfast, true and loyal.
I was obsessed with theatre and loving the work of Caryl Churchill, Edward Bond, Howard Brenton, and Howard Barker, people doing real formal experimentation. But 'Road' was the first time I'd read a play written in a very true Northern dialect that seemed to have that excitement running through it.
Art uses many different styles, but his voice is very consistent. He's always concise and clever and funny. That's true of somebody like Chris Ware, who has an emotional quality to his work - but it's boiled down and it's very sober and spare. Each word has great weight. Comics are not just pictures, but it is graphic design in the sense that they are composed and architected in a specific way.
Taking a comic strip character is very hard to write. Because comics are meant to work in one page, to work in frames with minimalistic dialogue. And a lot of it is left to the imagination of the reader. To do that in film, you've got to be a little more explanatory. And that requires a good screenplay and good dialogue.
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