A Quote by Garth Ennis

I tend to forget what I'm doing will ever be read while I'm writing it, and just get on with the task at hand. — © Garth Ennis
I tend to forget what I'm doing will ever be read while I'm writing it, and just get on with the task at hand.
All you can do is focus on the task at hand and if you keep doing that it will get you through.
With fiction, it could be about anything. It just has to be good writing, like Maria Semple's "Where'd You Go, Bernadette," which I read recently. I want to forget I have a book in my hand.
Ever since high school I've been writing in a spiral notebook, in pencil. Everything looks too polished on a computer when you start writing, and I can't really see it. I feel like the words are much more naked in pencil, on a notebook. I feel that my brain works differently, and words come out differently, if I have a pencil in my hand, rather than if I have a keyboard. I tend to add more in the margins. I tend to elongate the sentences as I'm writing and editing, and there is just something about the feeling of writing longhand that I really love.
When you go out there, and you're in the ring, honestly, half the time you forget what city you're even in because you're so focused on what you're doing and the task at hand.
One that really caught me was Joe Morello. He was the first drummer I ever saw that could do a roll with one hand. He would turn his hand over and use his fingertips to get the stick bouncing. He could sit there with his right hand doing stuff on the cymbals and tom-toms while he was doing a roll with his left on the snare drum.
Perfectionism is a dangerous state of mind in an imperfect world. The best way is to forget doubts and set about the task in hand. . . . If you are doing your best, you will not have time to worry about failure.
Whenever I've gone against my instincts, it's been a bit of a disaster. If there's a script I'm considering, I will get everyone to read it. I will get my mom to read it, I will get my friends to read it, I'll get the person doing my manicure to read it. I'm someone who really needs to talk things through. And then, obviously, I have a wonderful manager and agents, and I listen very carefully to what they have to say as well.
How to read writers on writing: With respect, amusement, and skepticism. They will contradict one another-as they should-for each writer brings an individual history to the writing task. There is no single theology here.
A lot of readers ask me, "Do you ever get emotional while writing the book?" or "Did you cry when you killed this character?" And the truth is, no, I didn't. That's not really the way I approach it. I don't get emotional while writing, but then there are plenty of other authors who do.
Ever since I was like 13 and 14 writing music, I said, I have to be able to do different types. Because if you just keep doing the same thing over and over again, it will just get boring.
What I read: while I'm writing, I tend to go off reading fiction for relaxation - especially the challenging stuff. It's too much like the day job.
I have notebooks and sketchbooks for ideas. I also have drawers full of envelopes covered in quick outlines, scenes or scraps of dialogue that I don't want to forget. I tend to grab whatever's to hand and just get the thing down before it's lost. It's not what you would call a streamlined system.
I think that with the proliferation of writing programs, people tend to forget that you also have to get used to working alone, and you have to be your own support.
I will read biographies or autobiographies while I'm writing, but mostly I put books in a to-read queue, like Rachel Cusk's new novel, "Outline."
Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing.
The best way is to forget doubts and set about the task in hand. . . .
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