A Quote by Garth Fagan

Afro-Caribbean influences are in me as a creative being the same way Spanish influences were in Picasso's work. I think the notion of labels - "black dancer, black choreographer" -is a ploy to divide and conquer, and to limit.
Black Eyed Peas music appealed to everybody and that's why we incorporated EDM influences, dance influences, house influences, and we mashed it up with the Black Eyed Pea melodic pop sensibility that still has bounce to it.
Yes, but the thing is my influences are so rooted in afro-American culture especially that it's quite sad to not enjoy the same success because the influences are so strong from there.
There is a movement we call Afro-Futurism, where we imagine a black way of life free of white supremacy and bigotry. 'Black Panther,' I think, is the first blockbuster film centered in the ethos of Afro-Futurism, where the writers and directors and makeup and wardrobe team all imagined a beautiful, thriving black Africa without colonialism.
When Picasso painted in Paris, was he a Spanish or a French painter? It does not matter, he was Picasso, whatever the influences surrounding him. He simply chose Paris because it was the ideal place for him to sell his creation.
I work as a dancer, but I also work as a choreographer with couples that have a lot of tension between them, and as dancer and as a choreographer, being in this situation is very difficult. You see the energy doesn't flow, and it's very tense.
The similarity is that concentration of capital influences virtually everything that goes on. It influences the way the media functions, it very powerfully influences how the government works and it of course influences corporate sector elements, like say how Google or Amazon present materials that reach the public.
At 50, I thought proudly: Here we are, half century! Being 60 was fairly frightening. You want to know how I spent my 70th birthday? I put on a completely black face, a fuzzy black Afro wig, wore black clothes and hung a black wreath on my door.
The black artist is dangerous. Black art controls the 'Negro's' reality, negates negative influences, and creates positive images.
I really can't tell other people how to live their life or how to approach different things. What I can tell them - and I truly believe this, I don't think it's being naïve and I don't think it's being in denial - I really believe that the way you think influences the way you feel, and the way you feel influences the way you act.
We were surrounded by influences and interests that came between Stephen and me. The nurse who became his wife was seeking to undermine me, and there were wider influences, too, following the runaway success of 'A Brief History of Time.'
Whenever I give a talk about my work I am invariably asked who my influences are. Not what my influences are, but who.. As if the gutter, misunderstandings, memories, sex, dreams, and books matter less than forebears do. After all, in terms of influences, it is as much the guy who mugged me on Tenth Street, or my beloved dog who passed away much too early, as it was Giotto or Diane Arbus.
Everyone talks about Spanish influences, but where is it?...Tell me 10 great Spanish restaurants in London....You can’t give me the addresses. Nor in Paris.
It's an incredible dilemma to be an artist of color and to always be in denial about that, saying, 'I'm a choreographer first and then I'm black,' when in fact, that's not the case. I'm black first and then I'm also a choreographer.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
I put together the influences of my life in as clear a way as I possibly can, in the same way that Beethoven or Schoenberg or Bach put their influences together.
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
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