A Quote by Garth Greenwell

Whenever I go to New York I try to soak up as much live music as I can, including as many nights at the opera as I can manage. — © Garth Greenwell
Whenever I go to New York I try to soak up as much live music as I can, including as many nights at the opera as I can manage.
Note that both of these papers [the New York Post and the New York Daily News] are big sellers in a city whose residents like to go around saying they'd never live anyplace else on account of they'd miss the opera.
I graduated from high school early so I could move to New York to do 'A Little Night Music' out of the New York City Opera.
I live in New Jersey, so I kind of just go to New York whenever.
I feel like fashion was much more exclusive. There weren't as many parties. There weren't as many social gatherings. It wasn't required that designers have events to lure customers or editors or any of that - it was about a show. If there was a dinner or a party, people would go out after. New York nightlife was about late nights and dancing.
I live in New York, where people don't tend to go up to actors as much.
I’ve come in and out of America for… well, I’ve lived here for 15 years. And I’ve played here for nearly 30 years. On and off. But I’ve always played to my fan base. And I can come and do two or three nights in New York or two or three nights in L.A., and all that. But when I go away, nobody knows I’ve been gone. You know, I don’t get reviewed or anything like that. So that’s why I’ve come back and done a longer time in a smaller place, in New York. It’s always the people who live here that get a chance to know me.
Premiering a new opera is probably one of the hardest things in the world to do, and opening nights of any opera are always pretty stressful.
New York was always more expensive than any other place in the United States, but you could live in New York - and by New York, I mean Manhattan. Brooklyn was the borough of grandparents. We didn't live well. We lived in these horrible places. But you could live in New York. And you didn't have to think about money every second.
The Green New Deal is for elitists who live in their high rises in New York City and see a dirty world around them because they're in New York City. I said New York City can pass a Green New Deal... Why not try it? Why not try it?
I think New York is much more focused on what you're doing. You have to try harder to make sure you have balance in your life. I love New York. It's so exciting. There's so many interesting people here. I just feel like anything can happen. You can make so much happen quickly here. I love it.
As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.
I have always loved jazz music and as a teen growing up in New York City and then later on as an adult have great memories of the jazz clubs that were all located on 52nd Street. I still catch as many jazz shows as I can when I am in New York. And when I perform, I have my jazz quartet by my side. Jazz musicians keep things spontaneous and very "live," which is the way I like to perform.
He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him.
I was also thinking that I only had a certain amount of time to make music and to spend it in that city. And everybody else... you know the story 'Oh, New York it's such a great place, but it's so expensive to live here and there's so much to do.' You go there for inspiration and you end up getting a job to pay bills. I thought I must fight that at all costs.
I didn't have to do that much research to present a post-apocalyptic New York because I basically grew up in that New York. That old New York is gone, and that's one thing that's undiscoverable now but I explore in my fiction.
Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.
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