A Quote by Garth Greenwell
The academy is an incredibly sheltered world, and I do think it's important for writers to get out from under that shelter, at least for a while, to see what the world looks like from outside it.
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When a captive lion steps out of his cage, he comes into a wider world than the lion who has known only the wilds. While he was in captivity, there were only two worlds for him - the world of the cage, and the world outside the cage. Now he is free. He roars. He attacks people. He eats them. Yet he is not satisfied, for there is no third world that is neither the world of the cage nor the world outside the cage.
What is the commonest, and yet the least remembered form of heroism? The heroism of an average mother. Ah! when I think of that broad fact I gather hope again for poor humanity, and this dark world looks bright, this diseased world looks wholesome to me once more, because, whatever else it is or is not full of, it is at least full of mothers.
I always wanted to live outside of Australia... because I think it's good to see the world and get out of where you've been living, particularly if you're from somewhere like Australia, which is so isolated from the rest of the world. I chose New York because there was such a great choice of acting classes and it's such an intense place.
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
Outside is the world; it's there. Pop Art looks out into the world.
What interests me is to paint the kind of antisensitivity that impregnates modern civilization. I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward - neo-Zen and all that. Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.
I honestly try to have the approach that this is real life, this is the real world that we live in, and I don't really try to shelter [my son] from a lot of things that he's gonna see when he looks out of the window.
I feel like I've found my voice in the actor's business. Because when you first get out of school and you're looking for jobs, you don't want to rock the boat - you can't rock the boat. You'll get known for being that sassy girl that, like, has no résumé and no one wants to work with her. But now, I'm "proven," at least in the television world, and hopefully in the theater world. I'm working on the film world. Unfortunately, it takes a while to build that kind of street cred. It's been recently that I even started to have more confidence in myself.
There are major writers who have written books [based on my research]. If one looks carefully at the copyright page, you'll see my name. Writers of the stature of Mailer and even bigger. All over the world.
I think working with artists is incredibly important for everybody in the world, but also, it is a way of seeing the world differently.
See what the world looks like from orbit. Well, in that way, at least, there was profit to be had. Nobody could look down at the planet, green and blue, with no borders in evidence and no sign of human habitation, and not get his perspective forever altered.
Yeah. I?ve always felt this way. I mean we?re born alone, we die alone. And while we?re here we are absolutely, completely sealed in our own bodies. Really weird. Kinda freaks me out to think about it. We can only experience the outside world through our own slanted perception of it. Who knows what you?re really like. I just see what I think you?re like.
I believe the person who was out conquering the world, who was out fighting in the world were our fathers, so to have them come... I adored my father more than anyone in the world, but my father had more advice on work policies and how to get a job and how to survive in the work environment than my mother because my mother never worked outside of the home. So I think the support of fathers is very important.
To be a writer you have to be out in the world, you have to risk yourself in the world, you have to be immersed in the world, you have to go out looking for it. This becomes harder as you get older because there's less energy, the days are shorter for older people and it's not so easy to go out and immerse oneself in the world outside.
I guess when I was younger, I'd have assumed that in 2008 music would be full of great writers following in the tradition of the young great writers of the '60s and '70s, but it hasn't turned out that way, or at least there are no other writers around that I look at and think: 'Wow, I'm outclassed, I need to get out of this business.'
I think Anarky's age is right now. He looks like a street protester. He looks like Anonymous. He's like one of these guys who wants to go out there and change the world to what he believes is the better, and I think of all the Batman enemies, and one of the reasons I'm most excited about Anarky, is he feels relevant today.
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