A Quote by Garth Greenwell

I realized that there was an intellectual content in music, a kind of thinking, that I would never be able to hear. — © Garth Greenwell
I realized that there was an intellectual content in music, a kind of thinking, that I would never be able to hear.
It had never occurred to me before that music and thinking are so much alike. In fact you could say music is another way of thinking, or maybe thinking is another kind of music.
Make the kind of music you love even if you never hear it on the air. This was the basic lesson I'd gotten from Alan [Lomax]. Alan said, Pete, look at all this great music around. You never hear it on the radio, but it's right there, great music.
I would never teach a child of mine to be kind to a cop who would shoot you in the back of the head. I would never have that conversation because children don't hear what you mean, they hear what you say.
I think a lot of musicians play for the playback. I mean, that's the joy of recording - you want to hear what you've done and what you've contributed - but never listening to that playback kind of removes the intellectual part of making music, and it removes the tendency to be revisionist.
I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.
Singing a melody is like a lot of easier and when you sing harmony you have to really kind of know music and listen to the music and be able to hear the notes or whatever.
Many of us would probably not be in the music business - or never would have been in the music business - had The Beatles not demonstrated that this kind of music, or this kind of performance, was actually viable as a career alternative.
To talk about communication theory without communicating its real mathematical content would be like endlessly telling a man about a wonderful composer, yet never letting him hear an example of the composer's music.
When it comes to music, I'm definitely thinking [about] what I would like to hear.
I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.
Some music, it's meant just to make you dance and be able to celebrate and get away from all that kind of thinking. And so, I think it is important if you think your music can do that - to keep doin' it.
We grown-up people think that we appreciate music, but if we realized the sense that an infant has brought with it of appreciating sound and rhythm, we would never boast of knowing music. The infant is music itself.
What we're thinking about is a peaceful planet. We're not thinking about anything else. We're not thinking about any kind of power. We're not thinking about any kind of struggles. We're not thinking about revolution or war or any of that. That's not what we want. Nobody wants to get hurt. Nobody wants to hurt anybody. We would all like to be able to live an uncluttered life. A simple life, a good life. And think about moving the whole human race ahead a step, or a few steps.
It is possible to enjoy the Mozart concerto without being able to play the clarinet. In fact, you can learn to be an expert connoisseur of music without being able to play a note on any instrument. Of course, music would come to a halt if nobody ever learned to play it. But if everybody grew up thinking that music was synonymous with playing it, think how relatively impoverished many lives would be. Couldn't we learn to think of science in the same way?
All of my friends are really good dancers, which was initially why I never danced - we'd go out and they would kill it and I'd be like, "Yeah, I'm just gonna sit at the bar." I broke my foot, and I couldn't run for a year, but I realized I could kind of dance. It reminded me how amazing dance is; it's so in tune with music - it is music. It's a physical expression of whatever music is. On stage, you're interacting with things - physical things. So I've really started to like and notice the way people move with music.
I'd been listening to African-American music since the first record I ever bought, which was by Sam Cooke. And it sounds more like my private thoughts that I never thought I would be able to articulate - I never thought I would be able to express publicly.
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