A Quote by Garth Greenwell

I often say that Bernhard, W.G. Sebald, and Javier Marías are my stylistic holy trinity, prose writers who amaze me with their notation of consciousness and voice.
I like a lot of Spanish language writers. I really love Javier Marias.
I really wouldn't call a lot of what's online "literature" since that word, to me, refers to a sub-genre of writing that belongs to the heavy-hitters, the canonical writers, Shakespeare, Dante, Milton, Dostoevsky, Kafka, and even Toni Morrison, George Saunders, Thomas Bernhard, Sebald, Borges, DFW, e.g.
I love Javier Marias; I love his novel 'Tomorrow in the Battle Think on Me.'
Instead of loving the Trinity of God (Father, Son, and Holy Spirit), we tend to love a different trinity: Me, myself, and I.
A Heart So White is simply one of the best novels I know. I'm also thrilled by Javier Marías sentences, by how elegant they are while also being so permissive in relation to the niceties of grammar and so open to the prospect of surprise. He's a genius.
I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.
O Trinity, eternal Trinity! Fire, abyss of love... Was it necessary that you should give Even the Holy Trinity as food for souls?... You gave us not only your Word Through the Redemption and in the Eucharist, But you also gave yourself In the fullness of love for your creature.
I accept the Organic Trinity of Mineral, Vegetable, and Animal with as much authority as I accept the Holy Trinity. Both are sacred.
Holocausts do not amaze me. Rapes and child slavery do not amaze me. And Franklin, I know you feel otherwise, but Kevin does not amaze me. I am amazed when I drop a glove in the street and a teenager runs two blocks to return it. I am amazed when a checkout girl flashes me a wide smile with my change, though my own face had been a mask of expedience. Lost wallets posted to their owners, strangers who furnish meticulous directions, neighbors who water each other's houseplants - these things amaze me.
I don't believe in the Holy Trinity - but I do believe in the Holy Ghost. The Holy Spook is just a friendly way of saying Holy Ghost.
The notation is more important than the sound. Not the exactitude and success with which a notation notates a sound; but the musicalness of the notation in its notating.
We worship unity in trinity, and trinity in unity; neither confounding the person nor dividing the substance. There is one person of the Father, another of the Son, and another of the Holy Ghost; but the Godhead of the Father, and of the Son, and of the Holy Ghost, is all one; the glory equal, the majesty co-eternal.
I'm a line-maker. I think that's what makes poets different from prose-writers. That's the main way. We think, not just in sentences the way prose writers do but also in lines. So we're doing these two things at the same time.
In some sense that was a blessing, because it forced me to focus on prose. I feel my narrative voice in prose is more authentically me because I developed it without ever soliciting the advice of anyone else.
The "name" of the Most Holy Trinity is in a certain way impressed upon everything that exists, because everything that exists, down to the least particle, is a being in relation, and thus God-relation shines forth, ultimately creative Love shines forth. All comes from love, tends toward love, and is moved by love, naturally, according to different grades of consciousness and freedom... The strongest proof that we are made in the image of the Trinity is this: only love makes us happy, because we live in relation, and we live to love and be loved.
The typewriter is holy the poem is holy the voice is holy the hearers are holy the ecstacy is holy!
This site uses cookies to ensure you get the best experience. More info...
Got it!