A Quote by Garth Nix
?"It always seemed somehow less real here... a really detailed dream, but sort of washed out, like a thin watercolor. Softer, somehow, even with their electric light and engines and everything. I guess it was because there was hardly any magic.
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She's alone, they kept telling themselves, and surely she danced in no one's arms, yet somehow that seemed to matter less and less. As the night went on, and clarinet and coyote call mingled beyond the lantern light, the magic of their own powder-blue jackets and orchids seemed to fade, and it came to them in small sensations that they were more alone than she was.
For me, a great fantasy is real people, a world I recognise, human struggle and magic. You've got to have magic to make a fantasy work. But I like my magic to be subtle. I don't want magic coming out of the hands of wizards. I want it to be pervading, sinister somehow.
You get those couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage.
Somehow, even though you have less time and less money, the thing about making indie films is somehow you have another kind of resource: a human resource, where you can really look to your creative colleagues and actually ask questions that are honest.
I'd always admired writers. I'd always loved words on a page. Somehow, words seemed to bypass image and get straight to the heart of things. Somehow, words seemed big enough to contain pain, and sentences could pull broken bits together.
I guess I just always imagined that I was going to die, like, somehow on top. I was going to, like, go out in some sort of blaze of glory. I never thought about sort of fading into obscurity. And I've worked so hard at having a life, an identity, in obscurity and finding peace with that.
There are couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage. Of course it is true, that's exactly what a child does but it's not something to be feared, it's to be embraced.
I don't feel like a dream girl, but I think it's really nice. I guess a part of me wishes I got that sort of attention in my real life. Because in my real life, I'm this weird, dorky girl who just hangs out with her dog.
But the Fear (that sensation that all writers get of how the hell do words get from my puny little brain to into a book, and isn't magic somehow involved, and surely I'm not qualified to be involved in any part of that process, and I somehow managed that tomorrow, but you mean I have to do it this morning too, well how do I even start?) withdraws quite a bit when it's already light and lovely outside when I get to my desk. So I got right past that big moment today, and into the fun slide down towards the ending, yelling whee.
Everything, every part that you approach has to be somehow rooted in yourself. You have to somehow root everything so that it's not just words coming out of you.
Making films is sort of like you're pulling off a magic trick. It's sort of like an illusion. It's not real but you want it to appear real, and all kinds of things go into that, from the clothes you're wearing to the make-up, to the light.
It's like I was always not quite sure even how to move in space somehow; I would watch people and then copy them. I found it really hard to walk straight. My brother was always on at me for walking off the pavement. I guess I always expected people to bring me back into line.
Perhaps it is not-being that is the true state, and all our dream of life is inexistent; but, if so, we feel that these phrases of music, these conceptions which exist in relation to our dream, must be nothing either. We shall perish, but we have as hostages these divine captives who will follow and share our fate. And death in their company is somehow less bitter, less inglorious, perhaps even less probable.
My life has always somehow been played out in a minor key, unresolved. Art somehow resolves things for me.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
I was deliciously happy filming True Blood. I even kept all the scripts in my office, which I never do with any script. Although I did shred them all in one go when the series finished; it seemed like a ritual, somehow.
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