A Quote by Garth Risk Hallberg

The writing that feels the best to me, I experience sometimes, is a kind of weirdly deep listening - like, it feels like if you just listen hard enough, the next sentence will tell you what it needs to be.
I like to edit my sentences as I write them. I rearrange a sentence many times before moving on to the next one. For me, that editing process feels like a form of play, like a puzzle that needs solving, and it's one of the most satisfying parts of writing.
There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It's like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way... Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it's working and the rhythm's there, it does feel like magic to me.
The Catcher in the Rye had such a deep impact on me, because it felt like it was just Holden and me. I didn't feel like any other person had read that book. It felt like my secret. Writing that I identify with feels like it's just me and the writer. So I hope that whoever is reading what I do feels like that.
Writing an op-ed feels like I'm taking the SAT. It's so hard. It feels like homework. And if it feels like homework, it just doesn't get done.
I have read a thousand screenplays, and I have acted in a handful of them, and I have felt when it feels good, the writing, and it feels natural, and feels funny or sad or honest or whatever it may be. You connect. And I felt when it feels like writing, when it feels stale, or when it feels artificial or forced, or too theatrical or whatever.
I just like to express myself in the world around me. And I love writing, but sometimes it feels a little too minute. Sometimes, at the end of the day, there's just not enough colors involved - visually, there are just words on a page.
I grew up listening to The Band. I love Lowell George. I love Little Feat, and I was listening to some Springsteen, some of the deep album cuts. I just like the looseness of that kind of music. It all feels like they did it in one take. They let whatever happened happen. If it felt good, they kept it.
Sometimes I'm having conversations with my friends, and I feel like they can't relate to me anymore. I'm like, 'Oh, my God, let me tell you about my experience on 'Fallon'!' And they'll be like, 'Oh, my God, let me tell you about my trip to the mall!' It sometimes feels lonely.
All you do is you go back to the Maida Vale Studios at BBC in London, and it feels like you're in a spaceship. It feels like you're in 2001 or something like that. It's massive and well constructed and highly technologically advanced and occupied by these wise scientists, engineers, and producers. Listening to it, it just doesn't sound like me - that's a younger self that didn't know who he was or what he was doing. I can't identify with a nebulous cloud.
Sometimes it feels like just yesterday that my ex and my baby boys were snuggling on the couch with me in our gorgeous Calabasas home. Other times, it feels like it was all a crazy dream.
The internet kind of feels like happiness sometimes, however. It feels like stimulation.
Sometimes it feels like God has reached down and touched me, blessed me a thousand times over, and sometimes it all feels like a mean joke, like God's advisers are Muammar Qaddafi and Phyllis Schlafly.
Life, to me, doesn't feel like a straightforward story; it doesn't make sense for me to get up there and just tell a story. Life feels like what my show feels like: chaotic and strange and disconnected.
My therapist told me I need to learn to love myself. It sounds easy enough, but really, how do you just wake up one day and learn that? It feels like something you should just do involuntarily, like swallowing or blinking, but now I have to work on it. It feels so forced. I mean, I know I went to a good school, and people tell me I'm smart and creative, but I don't KNOW that. I don't know how to make myself feel that.
Writing is linear and sequential; Sentence B must follow Sentence A, and Sentence C must follow Sentence B, and eventually you get to Sentence Z. The hard part of writing isn't the writing; it's the thinking. You can solve most of your writing problems if you stop after every sentence and ask: What does the reader need to know next?
It's something you can actually control. With writing, it feels like it's given to you, and when the good stuff hits, it feels like it's coming from some other planet.And you're just channeling it.
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