A Quote by Garth Risk Hallberg

Writers since at least the heyday of Gore Vidal have bemoaned their audience's defection to other forms of entertainment. — © Garth Risk Hallberg
Writers since at least the heyday of Gore Vidal have bemoaned their audience's defection to other forms of entertainment.
Gore Vidal has been a friend of mine for years, and he's one of the greatest writers in American history.
'Empire of Self' is a loving portrait of a very difficult man. Jay Parini, himself a gifted novelist, poet and biographer, has gone very deep into the 'black energy' of Gore Vidal's relentless narcissism and megalomania. Parini envisions an epic battle between Vidal's angelic and demonic sides, yet there's very little of the angel in Vidal.
When Gore Vidal was coming up, there were three major channels, and he could count on a big audience when he debated someone like William F. Buckley on TV.
There will be a debate on Firing Line between Buckley and Gore Vidal on the proposition: "This nation cannot survive as long as the income of 50 percent of the population is below the median." Mr. Vidal will take the affirmative.
There are a few things that tend to infuriate me. One is ignorance, because I have become accustomed to speaking to very intelligent people like Gore Vidal and Al Franken on a regular basis, since dating Bill Maher.
I'm not Gore Vidal or William Buckley.
I got to know Gore Vidal quite well, up front and personal: his magnificent strengths and his appalling, almost other-worldly weaknesses.
I used to read Gore Vidal books and think I was cool.
They don't make people like Gore Vidal and William F. Buckley anymore.
I read Noam Chomsky. I like some of Gore Vidal's stuff.
I loved Gore Vidal's Burr. That book gave me courage.
I always want to read Gore Vidal's nonfiction. Because everything he writes is an essay and it's worth reading.
We lived in a classless society. We'd spend a summer at Gore Vidal's house in Italy, but we were on and off welfare.
Cinema is a composite art into which you can include all conceivable art or entertainment forms. In film, I can work with novelistic elements, comedy, drama, music, and other forms of entertainment. Film is a versatile expression, combining all elements into one art form.
What you don't want is for violence and gore to become more important than character and structure. A lot of slasher movies from the eighties were only focused on violence and gore, which robs the human beings in the story of any empathetic reaction from the audience, and instead makes them cheer for the gore.
Queerness isn't just Lady Gaga and overpriced drinks and fauxhawks. It's James Baldwin and Bea Arthur and Gertrude Stein and Gore Vidal.
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