A Quote by Garth Risk Hallberg

When something is at risk or in danger or about to be lost, those are the moments you start to realize how much it means to you. — © Garth Risk Hallberg
When something is at risk or in danger or about to be lost, those are the moments you start to realize how much it means to you.
In those moments when we realize how much we cannot control, we can learn to let go.
The more you realize, the more you realize how much there is to realize and, at the same time, how much you realize that there is nothing to realize. So, it's an enormous job, not something that is going to be finished in this lifetime.
Every time something is taken away, you're forced to take a step back and realize how much that thing means to you. You don't realize what you've got until it's gone.
People don't realize how much it means to your music to record on tape, whether it be for new music or old music. People don't realize how much or how imperative it is to use actual hardware when making drums because those are actual percussion samplers. They're hardware instruments that are made to have the drum hit.
I am a micromanager, and I love being involved in every detail of my life, but in the big picture, you realize how little control you have. 'Air I Breathe' is about those moments of surrender where you get to something that is bigger than you, and you don't have answers for it.
I know that even at moments of apparent danger, nothing is out of order or lacking, other than our own unquestioned thoughts about those moments.
The first step in saving our liberty is to realize how much we have already lost, how we lost it, and how we will continue to lose it unless fundamental political changes occur.
During the first period of our lives the greatest danger is not to take the risk. When once the risk has been taken, then the greatest danger is to risk too much. By not risking at first one turns aside and serves trivialities; in the second case, by risking too much, one turns aside to the fantastic and perhaps to presumption.
Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves.
Art devoid of danger lacks many other things as well: pleasure, beauty, and the ability to save us. Poems that divest the self of its masks in order to analyze how those masks are made - by what means, by whom, for what ostensible purpose - those poems risk offering us refuge.
There's something about seeing a guy's feelings written down, something about him taking that risk and committing that heart to paper, that means so much more than anything he could just say.
Let all your moments of self-doubt, fear or disappointment fuel your drive to be great. Because it will be in those moments of fear that we have to realize we must redefine success and what it means to us.
When you begin to think about the past, you realize how much of it is lost to us.
The word 'risk' derives from the early Italian risicare, which means 'to dare'. In this sense, risk is a choice rather than a fate. The actions we dare to take, which depend on how free we are to make choices, are what the story of risk is all about. And that story helps define what it means to be a human being.
If a person lost would conclude that after all he is not lost, he is not beside himself, but standing in his own old shoes on thevery spot where he is, and that for the time being he will live there; but the places that have known him, they are lost,--how much anxiety and danger would vanish.
I think risk is important. I don't care if it's a great financial risk or a physical risk. You only get out of something what you put into it and the fact that you are willing to risk something means that you are going to get a lot more out of it.
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