A Quote by Garth Risk Hallberg

One of the ways I stuck out was I was a very passionate reader. There was probably a cyclical nature to that; the more I felt like an outcast, the more I sought refuge in books, and the more I sought refuge in books, the more it made me not speak the same language as my peers.
My family and I were welcomed to Canada more than 40 years ago. We sought and obtained refuge in a liberal, modern, and secular society, and put the ugliness of genocidal religious hate and associated tribalism behind us - or so we thought.
No more pencils, no more books, no more teachers' dirty looks, when the teacher rings the bell, drop your books and run like hell
If books could have more, give more, be more, show more, they would still need readers who bring to them sound and smell and light and all the rest that can’t be in books. The book needs you.
Books are a refuge, a sort of cloistral refuge, from the vulgarities of the actual world.
Just entering into the dharma and taking refuge and bodhisattva vows is a tremendous amount of merit, but we need more and more and more.
A painted landscape is always more beautiful than a real one, because there's more there. Everything is more sensual, and one takes refuge in its beauty.
When something is bothering me, I seek refuge. No need to travel far; a trip to the realm of literary memory will suffice. For where can one find more noble distraction, more entertaining company, more delightful enchantment than in literature?
After all we speak of people 'taking refuge' in vagueness -the more precise you are, in general the more likely you are to be wrong, whereas you stand a good chance of not being wrong if you make it vague enough.
Owen Meany believed that “coincidence” was a stupid, shallow refuge sought by stupid, shallow people who were unable to accept the fact that their lives were shaped by a terrifying and awesome design – more powerful and unstoppable than the Yankee Flyer. (a train)
I've always been a little bit more of a novel reader than a short story reader. I think the first books that made me want to be a writer were novels.
I've developed a great reputation for wisdom by ordering more books than I ever had time to read, and reading more books, by far, than I learned anything useful from, except, of course, that some very tedious gentlemen have written books.
Alejandro Colucci has designed covers for my books that stand out, that catch the eye, and that make me, as a reader and consumer, want to know more about the books behind those covers.
I've had people say very dismissive things about my books, but I also feel like I probably have more readers because I'm a woman. I mean, more readers are women and more people who buy books are women, so I don't feel like it's a total disadvantage to be a female writer.
As time has gone by, I have looked more and more like Paul Revere than the alarmist my critics have sought to portray.
The understanding between a non-technical writer and his reader is that he shall talk more or less like a human being and not like an Act of Parliament. I take it that the aim of such books must be to convey exact thought in inexact language... he can never succeed without the co-operation of the reader.
Therefore, be islands unto yourselves. Be your own refuge. Have recourse to none else for refuge. Hold fast to the Dharma as a refuge. Resort to no other refuge. Whosoever, either now or after I am gone, shall be islands unto themselves, shall seek no eternal refuge, it is they, among my disciples who shall reach the very topmost height! But they must be keen to progress.
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