A Quote by Gary Bettman

While players say they like the five-day break, they're also saying they don't like the compression that goes along with it, and that's something that is of great concern to us as well.
They gave high fives to all the players who say like the most obvious textbook answers in the world. It's like after each game, you already know what they're going to say. If they lost: "Ahh ... Tough loss." It's like, come on, how do you guys fall for that? And if they something that they really feel, everyone goes crazy. Like "Oohh! He's spazzing out!" Now he gotta say sorry for saying something he really felt. It's like, Oh lord.
Well, to have some teams come at you like Montreal did, it’s definitely flattering, and I think it was good for me to also set a precedent for players like me and how important we can be to teams. That was something I was happy to do as well, you know? Sometimes players like me are maybe overlooked or not looked at as an important piece to the puzzle, but it was something I wanted to prove and wanted to show.
One of the biggest misconceptions was, after I left Dream Theater, I went off and did, like, five different bands and side projects. Everyone was like, 'We thought you wanted a break.' And it was like, well, I didn't want a break from making music; I just needed a break from the Dream Theater camp.
And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still, it moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
Hopefully, one day I won't have to be so caught up in all of that day-to-day, the Twitter and the Instagram. But I also would like to, at some point, turn off and take a break and also be, like, an artist.
Obama's the most thoughtful-sounding president I can remember. He seems to be saying what he wants to say, and that is a great relief. He always sounds like he's thinking about what he's saying while he's saying it, and that's a rare thing in politicians.
Advertising agencies come to you and they are great fans, they are great creative people themselves, but they ask you to do something, and you say, "Well, we will, we'll create something together." And it is work. It's like you're doing something and they're saying, "Change this" and "Change that." It's not hard, horrible work, but creatively it's not just freedom.
I think that there's a singular emotion that goes along with what the bands that we love mean to us. I feel like people feel represented by that in a way that you don't get from saying, 'Oh, I like this book' or 'I went to college here' or 'This is what my job is.'
There's a saying in the scientific community, that every great truth goes through three phases. First, people deny it. Second, they say that it conflicts with the Bible. Third, they say that they've known it all along.
When you have Candidate A saying the sky is blue, and Candidate B saying it's a cloudy day, I look outside and I see, well, it's a cloudy day. I should be able to tell my viewers, 'Candidate A is wrong, Candidate B is right,' and not have to say, 'Well, you decide.' Then it would be like I'm an idiot.
I do feel like I'm in this lucky position where I can write something and people will read it, and I feel like I should say something that's probably worth saying... I feel like it's something worth saying, and one more person saying it is better.
Women’s magazines will often ask me things like, 'All right, I need six five-minute happiness strategies.' And I say, well, there aren’t any five-minute happiness strategies. This is something you have to do kind of every day for the rest of your life. Just like if you want to raise moral children or if you want to advance in your career. It’s a goal you pursue your whole life.
I remember having a discussion at some stage and saying a coffee machine would do well in the training ground. Everyone was like, 'No, in England, we drink tea.' I was like, 'OK, I was just saying that I think coffee works as well.' Next thing you know, after the international break, we had this massive coffee machine come in from Nespresso.
I think all of us enjoy the feeling of something that goes on and on, as listeners as much as players. Just to get into a moment that feels like it could go on forever, and that you kind of want to go on forever. I don't know. There's so many things we do that I could describe by saying they just feel right when we're doing them.
Penn [Jillette] and Teller and I get along very well. We can call each other and say, "I'm working on this classic effect. Please, I'd like to do it for a while." We'll all respect it. There are people we don't get along with, but mostly there is a respect amongst the group.
Well, it seems like a miracle to be able to look forward-to-to see all the minutes in front of one come hopping along with something marvellous in them, instead of just[Pg 295] saying, Well, that one didn't actually hurt and the next may be quite bearable if only something beastly doesn't come pouncing out--
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