A Quote by Gary Cherone

We weren't One Hit Wonders. We had a few hits. — © Gary Cherone
We weren't One Hit Wonders. We had a few hits.

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The Small Faces are thought to be a one-hit wonder in America because we only had 'Itchycoo Park.' Then the Faces just had 'Stay with Me.' So both bands could be considered one-hit wonders in America, even though we had several huge hits in England.
Most of the time, when I had hits as a soloist - maybe not so much with Simon & Garfunkel - I was surprised they were hits. I didn't know what the hits were. I never thought that 'Loves Me Like A Rock' was going to be a hit, or 'Mother And Child Reunion,' or '50 Ways To Leave Your Lover.' They didn't sound like what the hits sounded like at the time. Radio was more open to things that weren't exactly what every other hit was.
What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.
In Britain, we have this attitude that people are one-hit wonders. If it proves that way, I'd rather have had that one hit than not at all.
Yes, I hit with heavy top-spin, but when you look at the little rackets I played with, the Maxply Dunlop, you had to hit the very centre all the time. I had my share of miss-hits.
In the rest of the world we had had two albums that were successful, so those two albums' hits and this new four-single package made up an album called Wham! The Final, which is basically greatest hits. We couldn't have done a greatest hits over here, because we'd only done one hit album.
I'm not a one-hit wonder as some suggest. I've had a couple of hits, but still, all of my hits were in the '70s. There was pretty much nothing in the '80s, '90s, or in the first full decade into the next millennium.
It's definitely good to have a hit from time to time, though not too often. If you have a few hits in a row, people start to think every film you make will be a hit, which is a big mistake.
Everybody used to be busy writing songs - great songs - that became hits. Now everybody's writing hits. Everybody's desperately writing a hit because they know they can't survive if they don't have a hit. Where in the past, we were writing a song like 'More Than Words' on a porch, not really believing it was gonna be a hit.
He thinks about her, at this moment, in her house, a few thin walls away, packing her life into boxes and bags and he wonders what memories she is rediscovering, what thoughts are catching in her mouth like the dust blown from unused textbooks. He wonders if she has buried any traces of herself under her floorboards. He wonders what those traces would be if she had. And he wonders again why he thinks about her so much when he knows so little to think about.
I've never been the big recording star I'd love to be some day. I've had lots of hits off and on through the years but I've never had the success of other artists - one hit after another back-to-back-to-back and big hits, where every song is going to be number one. I'm not greedy or nothing. I just want everything. Is there something wrong with that?
Of all the trees we could've hit, we had to get one that hits back.
I've learned that, bizarrely, I enjoy having a fight. Obviously nobody likes getting hit, but I don't have a problem with it. In MMA you've got to take a few hits to reach the right position.
I've had a few ditty hits.
I just feel really lucky to have had some hits because we had a lot of time where we didn't have them. It's better to have a hit. You can ask anyone - U2, Green Day - and they'll tell you the same thing.
Jim Courier did a great job of showing the rest what is possible. He could only hit forehands, but almost every one could have been a winner. But Jim struggled when others learned to hit the ball just as hard. Many look at Andy Roddick as being a similar animal, and it could well be in a few years everybody hits the ball as hard as him.
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