A Quote by Gary Cherone

There is nothing like singing a song that 20,000 people know and are singing back to you. — © Gary Cherone
There is nothing like singing a song that 20,000 people know and are singing back to you.
I went for a warm-up and got called back and the fans started singing my name when I was sat on the bench. I thought: 'Oh my god. There are 25,000 people in the ground and there are around 1,000 Swindon fans singing a 20-year-old's name that has just been working on a building site.'
You know the one with the big ears? Wait a minute, he ain't my president, he might be yours, he ain't my president. You know that woman he had singing for him, singing my song - she's gonna get her a- whipped. The great Beyoncé But I can't stand Beyoncé. She has no business up there, singing up there on a big ol' president day singing my song that I've been singing forever.
Sometimes when people can't speak English, they hum the melody instead of singing along. Having 20,000 people humming your song is incredible.
The most miraculous process is watching a song go from a tiny idea in the middle of the night to something that 55,000 people are singing back to you.
That was pretty crazy, going from singing in my room to singing in front of 5,000 people.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
I'm very soulful. I grew up singing in church. When I sing a song, I like to feel what I'm singing.
I hear a lot of people singing in funny voices and singing like they're stupid. Singing in a deliberately fey and dumb and childish way. And I find it to be a disturbing trend.
It's kind of exhilarating, walking through a crazy, insane mob. The most miraculous process is watching a song go from a tiny idea in the middle of the night to something that 55,000 people are singing back to you.
We're all writing out of a wound, and that's where our song comes from. The wound is singing. We're singing back to those who've been wounded.
When they're singing the guitar lines of songs in South America? Never heard that before. And in Canada, when they're singing all of the lyrics to every song - that blows me away. I don't know all the lyrics to every song.
Everywhere was singing, all over the house was singing, and outside the house was alive with singing, and the very air was song.
The audience keeps singing, keeps making my case, and I just keep strumming until I get close enough to see her eyes. And then I start singing the chorus. Right to her. And she smiles at me, and it’s like we’re the only two people out here, the only ones who know what’s happening. Which is that this song we’re all singing together is being rewritten. It’s no longer an angry plea shouted to the void. Right here, on this stage, in front of eighty thousand people, it’s becoming something else. This is our new vow.
"Born To Run," that expands every time we go out. It just seems to you - more of your life fills it in, fills in the story. And when we hit it every night, it's always a huge catharsis. It's fascinating to see the audience singing it back to me. It's quite wonderful, you know, to see people that intensely singing your song.
I just wanted to finally release something that sounded really fun, and 'Must Be Love' is that song! I'm telling you, I went to the Philippines and sang that live for everyone, and everyone was singing along, and I thought, 'Wow!' Everyone was singing this song back to me because everyone loves love.
The whole first two-thirds of the I Just Can't Stop Loving You song is just he and I. He's singing lead and I'm doing all the harmonies and we're both singing all the background. We're singing all the choruses until the choir comes in. We were the first two-thirds of the song.
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