A Quote by Gary Cole
The one nice thing about doing a character for a long time is, you begin to feel more comfortable, and you are thinking less and behaving more. It's always best not to be thinking a hell of a lot while you're acting, because you want it to be as spontaneous as possible, not too intellectual. Just behaving and listening to other people who you're doing scenes with. I always like the latter when it looks easy, even though it may not be.
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It's always best not to be thinking a hell of a lot while you're acting, because you want it to be as spontaneous as possible, not too intellectual. Just behaving and listening to other people who you're doing scenes with. I always like the latter when it looks easy, even though it may not be.
The one nice thing about doing a character for a long time is, you begin to feel more comfortable, and you are thinking less and behaving more.
I think it's just a lot more pressure to make the scenes work when you're doing a film, because when you're doing a series you feel like, I have so many scenes, so many episodes, so if I don't get it exactly right this time, I have another scene later. You feel less pressure.
If you're Australian, you feel it in your bones because you're at odds with everybody else, except other Australians, in the sense that people always seem to be behaving strangely. People always seem to be behaving the wrong way, in a different way. You say things and there are silences.
I tend to write about love because I'm always thinking about it. I think a lot though and struggle with overanalyzing. Way over. That's the thing, I feel like I do that a lot and then finally when I stop thinking, that's when it happens.
I always say, thank god I have this job or I don't know what I'd be doing. It'd be sad. I've always felt like I have been trying to brand a world for a quite a long time. You know what though, I feel no different. I feel like I'm doing the exact same thing I did in high school. Only I have more people helping me out now. And we have to take it all the way.
I'm not entirely comfortable saying I'm an actor, because it seems like a very weird, almost dorky thing to say you are. I laugh after every take just out of the discomfort I feel that I'm even on film. It's an awkward thing for me to be doing. Once we get going, it's always fine, and as we're shooting, I'm never thinking about it. I'd say that all my time in front of the camera is equally uncomfortable for me.
Being a full-time musician back before I had my son, it was sort of too much 'me' all the time. I felt like a bit of a narcissist, always doing just my art - even though I feel like artists are doing a service as well. I needed something a little more literal, instead of writing music and hoping people enjoyed it.
I've always been comfortable thinking things through and doing it, more or less, my way. You can be as creative as you want, but if you're... unwilling to work on the details, to see those put into action, then creativity is just dreams, or worse, hallucinations.
For a long time, I really blithely walked around in the world imagining that gender didn't matter any more and behaving like I was on equal footing with other people. And I think, for a long time, it was easy to live in the world that way.
I'm always open to somebody else having a better idea, but I feel like, if it feels real, then people aren't thinking about it and they're just doing the acting of it.
I think ultimately it's just time management. You're just doing a lot more stuff. You're doing the same stuff, you're writing and you're producing, but it just comes with a lot of other things. A lot of long term thinking and plotting things out for the future, bringing elements together. I have a lot of support.
I was just burnt out. I didn't like the music business and I didn't like me. There's an element of falseness about the whole thing. Even things like doing an interview. It's not as though we just met in the pub and are having a chat - it's part of a process. If you do it all day, every day for years, you end up thinking: 'Who the hell am I?' I was lucky enough to make some money, enough to let me kick back. It was a great experience and it was nice to have a couple of No.1s but the best thing about it was that the money I made allowed me to have freedom and choice in my life.
We really have a close friendship with Christian Petzold, which means we can be more frank and open towards each other, always with total respect. But, we push each other a bit further and further always, and we're always still curious about each other. And when he talks about a story he's thinking of doing, then the whole process is so special because I'm involved in a very early stage and I have the feeling I can, and not only, influence anything about my character, but about the whole story that my character's in.
I have always preferred the company of older people. No one in the history of the world has had less interest in the young than I do. I am not interested in what young people are thinking. They're thinking less than old people, of course. I mean, what could they be thinking? And what are they doing? They're doing the same stupid things you did.
...In little more than a single century from 1820 to 19450, no less than fifty-nine million human animals were killed in inter-group clashes of one sort or another.... We describe these killings as men behaving "like animals," but if we could find a wild animal that showed signs of acting this way, it would be more precise to describe it as behaving like men.
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