A Quote by Gary Cole

I love going to concerts, so that whole environment is something that intrigues me anyway. — © Gary Cole
I love going to concerts, so that whole environment is something that intrigues me anyway.
Well, you know I have an office, my film offices. So I know that syndrome. I fancy offices, so there must be something wrong with me. Even the window cleaner intrigues me. It's a very sexy environment.
The biggest problem with American music right now, is that kids don't listen. They come by it honestly, Americans don't listen anyway. When people go to concerts, they say I'm going to see... not, I'm going to hear.
I have very eclectic taste in music, but when it comes to going to concerts, I like going to rock concerts.
Anyone who buys a ticket can just go in there, and I don't like everyone, so I always see concerts as like, I'm going to get punched, I'm going to get elbowed, I'm going to get stepped on, get spilled on, someone's going to hit me with their body odor or something.
I keep my face covered during concerts. That's just something that is part of me, an artist, and I think it's a cool concept and look. It is really inspired by my love for video games, especially with the videogame 'Watchdog' that I love.
I would love to try my hand at directing and even producing in some kind of way. Something about that intrigues me, but for directing I could completely see myself trying.
I go to metal concerts as well as classical concerts, and I love both of them.
Sometimes something intrigues me about particular sounds, how they work together, and I think "Okay, I've found something here; I'm going to take it somewhere." And sometimes just to find a name for that sound, whatever it is, ends up becoming a title of the piece or becoming part of the title.
I work for men that I would love to meet, somebody who I could fall in love with, someone who intrigues me.
I would do nightclubs and concerts - particularly concerts, which is mostly what I did - and only people who already agreed with me would show up. People weren't going to come and inadvertently turn on their television set and find this offensive stuff coming out.
I'm one of those people that if its something to eat I'm going to eat the whole thing, If I'm going to be in love I'm going to love you all the way and if my heart's broken, it's just shattered all to pieces.
As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.
So I realized when I was successful in a piece, it was because I didn't abandon a notion early on what it ought to be, and I let it take me along. So I've had songs that started out as being about the environment and ended up being love songs and love songs that ended up being about the environment. I've had things that I thought would be a poem and realized that it was just too big for that. I've got to do something larger and it became a play. I wrote one poem that started a whole play.
I've noticed that my resolutions involve me not doing stuff that I wasn't going to do anyway so here's something more positive. I'm going to retrain as a Latin teacher in a provincial public school.
The stage for our whole show is actually really interesting and a lot of fun. There's always something going on so we figure even the people who come up and don't know Big Time Rush love the show because there's always something going on, so that's what we love about it.
I love New York, even though it isn't mine, the way something has to be, a tree or a street or a house, something, anyway, that belongs to me because I belong to it.
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