A Quote by Gary Cole

I am also a drummer of sorts. I've got an electronic set sitting in my bedroom. — © Gary Cole
I am also a drummer of sorts. I've got an electronic set sitting in my bedroom.
People call me a bedroom electronic musician, which I suppose I am. But I hate most electronic music; I find it really boring.
In some ways it's hard to see electronic music as a genre because the word "electronic" just refers to how it's made. Hip-hop is electronic music. Most reggae is electronic. Pop is electronic. House music, techno, all these sorts of ostensibly disparate genres are sort of being created with the same equipment.
I bought a house, it's a two bedroom house, but I think it's up to me to decide how many bedrooms there are. This bedroom has an oven in it. This bedroom has a lot of people sitting around watching TV. This bedroom is over in that other guy's house.
I told people I was a drummer before I even had a set, I was a mental drummer.
It's much easier to have a diversified career as an electronic musician than it is as a drummer. Nothing against drummers. If you're a drummer, you just wait around for people to ask you to play drums. But if you have your own studio and can make music, you have the ability to approach music a lot differently.
My drummer is my favorite drummer in the world, and he also happens to be the funniest person you'll meet.
The condition of matter I have dignified by the term Electronic, THE ELECTRONIC STATE. What do you think of that? Am I not a bold man, ignorant as I am, to coin words?
Two fundamental rules in the bedroom: one is you do not work in the bedroom. You should not have a workstation, laptop, or business papers around, because as soon as you look at that, you're stressed. I love having a sitting area where you can read a book, but that's it. The other is no clutter.
My drummer right now, who was also the first drummer in Weeping Tile, Jon McCann, told me that [Hip drummer] Johnny Fay took drum lessons from [McCann's] dad, who taught a lot of the drummers in Kingston. He said that when he was in Grade 9, the Hip were the model; the goal was to get an agent and gig as much as possible.
I got a drum set at the age of four. I wasn't playing that well, just kind of banging around. I just wanted to play drums and my dad got me a set. I played for several years, but I wasn't meant to be a drummer, I guess. I can play drums on my own things - obviously on some of my own records I play drums. But I didn't start playing guitar until I was 11.
I'm trying to fly the flag for the days of electronic music where people who are making it are also building the gear because that was what was happening in the very early days of electronic music. And that spirit is one of the things that really appeals to me about electronic music so I'm putting this forward as a way to keep that.
I was always very aware of drummers. My oldest brother Henry was a drummer, and he drummed on everything in the house from the kitchen sink to stovepipes. He was the first drummer in the Gil Evans Orchestra, so you've got to know how great he was.
When I first set up my big band, I only had Gilson Lavis, the drummer from Squeeze, with me. He was the core element. Whenever a group hits the big time, they always get a new drummer because they really need that. You can make do with rubbish elsewhere.
For easy things, that may be got at will, Most sorts of men do set but little store.
I used to go and do some sitting in with Robert Nighthawk when he were playing at the 708 Club in Chicago. He was a tremendous slideman. I never saw him do anything other than play the slide. I never just saw him just use his hand. He always used a slide. He had a little-bitty drummer we called "Shorty". He was about that high [hand gesture]. And he was his drummer. That's all he had was a slide guitar and a drummer.
I am good at down grading - I have found I can live the same lifestyle in a two-bedroom apartment as in a five-bedroom house.
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