A Quote by Gary Cooper
Until I came along all the leading men were handsome, but luckily they wrote a lot of stories about the fellow next door.
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When I was about twenty-one, I published a few poems. Maybe I wrote a couple of stories before, but I really began to write stories in my mid-thirties. My kids were still little, and they were in school and day care, and I had begun to think a lot about wanting to tell some stories and not being able to do it in poetry.
I just love how everyone with that Motown sound seemed to come from a two-block radius from the actual original location. The original location was a house, and then when they outgrew it, they bought the house next door and the house next door and the house next door until they had seven houses on the same lot.
The stories never said why she was wicked. It was enough to be an old woman, enough to be all alone, enough to look strange because you have no teeth. It was enough to be called a witch. If it came to that, the book never gave you the evidence of anything. It talked about "a handsome prince"... was he really, or was it just because he was a prince that people called handsome? As for "a girl who was as beautiful as the day was long"... well, which day? In midwinter it hardly ever got light! The stories don't want you to think, they just wanted you to believe what you were told.
On a ruinous wall I came upon a poster dating from the previous year and announcing that ‘six handsome bulls’ would be killed in the arena on such and such a date. How forlorn its faded colours looked. Where were the handsome bulls and the handsome bull-fighters now? It appeared that even in Barcelona there were hardly any bullfights nowadays - for some reason all the best matadors were Fascists.
Were there stories I wrote along the way that were terrible clinkers? God, yes. But they were all a product of their time, and I did the best I could.
For most of my life - well, maybe half of my life, but basically until I was in my mid-20s - I wrote stories. From the time I was 5 or 6 until I was 25. And I read a lot of stories during that time.
I took to writing as my medicine to help me stay afloat in acting career journey. I wrote about me breaking hearts, and my heart being broken. I wrote about my views whether they were liberal or conservative. I wrote about everything. I wrote about my life. When I did not have paper coming in as green backs, I'd use random pieces of paper for stories. It was like, I got no money, but I have paper to write. So I wrote.
Every time I put a collection together I'd scrap it because there was no "meaning," until I wrote about the two black men - friends - in the beginning of the book. So much of their experience was ABOUT trying to find friends in the authors/artists I wrote about - subjects that were/are a source of comfort, somehow, since none of them "fit," either
Maybe your life resembles a Bethlehem stable. Crude in some spots, smelly in others. Not much glamour. Not always neat. People in your circle remind you of stable animals: grazing like sheep, stubborn like donkeys, and that cow in the corner looks a lot like the fellow next door. You, like Joseph, knocked on the innkeeper's door. But you were too late. Or too old, sick, dull, damaged, poor, or peculiar. You know the sound of a slamming door.
As a young actor, I was advised to bide my time. Back then, there weren't good roles for someone like me. There were handsome leading men and character actors for smaller supporting roles. But I was told to hang in there, and it was good advice. We're all character actors now. Even a handsome man is a character actor at my age.
I read a lot by female psychoanalyst Lou Andreas-Salomé, who wrote prominent biographies of Nietzsche, Rilke, and Freud because she studied with all of them. She had this unbelievable insight into contemporary psychoanalysis. What is so interesting is that she wrote her life, and she knew that her life would be about these men, and it didn't stop her from leading an incredibly successful academic career. But her strange self-awareness that she was going to bookmark these men's lives is really interesting to me.
I have heard women complain about men holding doors for them,, as if it is inherently offensive and implies that they are weak. ... I would hold a door for anyone. ... It has to do with noticing our fellow human beings and saying, "I recognize that you're on this planet, and I don't want a door hitting you in the face.
Long before I became a feminist in any explicit way, I had turned from writing love stories about women in which women were losers, and adventure stories about men in which the men were winners, to writing adventure stories about a woman in which the woman won. It was one of the hardest things I ever did in my life.
I was thinking things had changed: that the next generation of men weren't as institutionally misogynist as the previous were. And then, suddenly, the Internet came along and gave them a platform to voice their feelings anonymously. And boy, did the bile come out.
Everybody always says that I'm the girl next door, which makes me think that y'all must have a lot of weird next-door neighbours.
I was fortunate that I was at newspapers for eight years, where I wrote at least five or six stories every week. You get used to interviewing lots of different people about a lot of different things. And they aren't things you know about until you do the story.
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