A Quote by Gary D. Schmidt
Whatever it means to be a friend, taking a black eye for someone has to be in it.
Related Quotes
Watching television is like taking black spray paint to your third eye.
There's a Bible verse that says if you believe, you will be in the presence of the Lord in the blink of an eye. And I know Dale was a believer, and that means that he saw his son and his friend going to win the Daytona 500, and he was in heaven all within the blink of an eye.
A blue eye is a true eye; Mysterious is a dark one, Which flashes like a spark sun! A black eye is the best one.
We look at the African-American community, for a long time those of us who be considered strong - black men - for whatever reason, haven't done a good job of taking care of the weak. And we were doing things that render taking care of our youth and taking care of our women and our families impossible, when our lives are taken.
If your mom asks you to do the dishes, do not pull out your pirate attitude. But if someone tells you you're not good enough, says your dreams are too lofty, or claims there is no room in showbiz for a dancing violinist - well then, by all means, pull out your eye patch, my friend, and take to the high seas.
When someone asks me about violence, I just find it incredible, because what it means is that the person who’s asking that question has absolutely no idea what black people have gone through, what black people have experienced in this country, since the time the first black person was kidnapped from the shores of Africa.
The most important thing in my life, and the thing I try to focus on, is to try not to live a life of cruelty. That means trying to make sure I look people in the eye when I meet them. Sometimes you jump in a taxi, or maybe you only have two minutes with someone, and you never see them again. I try to always look them in the eye and have a real experience of what it is to communicate with someone.
What is being black? It's making the most of your life, not taking a single moment for granted. Taking something that's seen as a struggle and making it work for you, or you'll die inside. Not to say that my struggle is like the collective struggle of black America. But maybe my struggle is similar to one black dude's.
Someone once told me to "be a black belt at whatever you do." In other words, don't just be good or okay - be the best you can be. Not only do I apply that to my work as an actress, but I also went out and got my black belt.
I've had this sensibility since I was a child. If there was a black boy in the school, I was the friend. If there was an effeminate guy, I was the friend. If there was somebody who was poor like me, I was the friend.
I think that the black people in this country have the reached the point where they should reserve the right to do whatever is necessary to see that they exercise complete control over the politicians in the politician, in the politics of their own community by whatever means necessary.
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.
Black-and-white always looks modern, whatever that word means.
Black-and-whit e always looks modern, whatever that word means.
That's what it is to love someone: to give whatever you can while taking what you must.
"Black culture" is ready for whatever. I sense some momentum and excitement around black artists (especially in comedy, which is where most of my own art resides), really pushing the bounds of what has generally been expected as black. I don't think it's a revolution so much as an exposure of what has always been there, and now that the production and distribution means are more accessible, people can more easily find each other.
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