A Quote by Gary Holland

I've never met an artist whose spirit didn't want to fly. — © Gary Holland
I've never met an artist whose spirit didn't want to fly.
I met David Bowie when I was 14, and he became a hero to me - because he was an artist, and because he was a genius who had the time to be kind. I'd never met such an extraordinary artist before, and I haven't since - the world will be a greyer place without him.
I want to live so that I am truly submitted to the Spirit's leading on a daily basis. Christ said its better for us that the Spirit came and I want to live like that is true. I don't want to keep crawling when I have the ability to fly.
I'd never met a woman I considered as intelligent as me. That sounds bigheaded, but every woman I met was either a dolly-chick, or a sort of screwed-up intellectual chick. And of course, in the field I was in, I didn't meet many intellectual people anyway. I always had this dream of meeting an artist, an artist girl who would be like me. And I thought it was a myth, but then I met Yoko and that was it.
It had never gotten old for him, flying. Never gone boring. Every engine start was a new adventure, guiding the spirit of a lovely machine back into life; every takeoff blending his spirit with its own to do what's never been done in history, to lift away from the ground and fly.
Before we met, I'd fly for hours to clear my head," Bones said, his voice reaching me even over the rush of wind. "It was the closest I came to finding peace, but though several of my mates could fly, I always went alone. I never wanted to share this with anyone until you.
I represented a man on death row whose lawyers had spent all of eight hours looking into his claim of innocence. I met men whose lawyers had never looked into their backgrounds.
I studied Japanese language and culture in college and graduate school, and afterward went to work in Tokyo, where I met a young man whose father was a famous businessman and whose mother was a geisha. He and I never discussed his parentage, which was an open secret, but it fascinated me.
I have never been able to understand the artist whose image never changes.
He only is advancing in life whose heart is getting softer, whose blood warmer, whose brain quicker, whose spirit is entering into living peace. And the men who have this life in them are the true lords or kings of the earth they, and they only.
I never considered myself an artist. I aspire to be an artist, but I never thought I had the depth or substance or gift to be an artist. I do think I have some talent, but it doesn't go as far as being an artist.
I find that it isn't wise to attempt to judge people on their public persona, and even on the music they make. Because I've met so many people whose music I cannot stand, and they're very nice. At the same time, I've met people whose music I've loved, and they're not the person you've invested all this emotion in.
It is myself I have never met whose face is pasted on the underside of my mind
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
Breughel is an example of an artist - I mean, this is true about artists and painters in general, but he is a specific example of an artist whose work contains more than you think it does at first glance. Whose work rewards, sustains attention and looking.
There are free men with the spirit of a slave, and slaves whose spirit is full of freedom. He who is true to his inner self is a free man, while he whose entire life is merely a stage for what is good and beautiful in the eyes of others, is a slave.
Film actually is a very strange thing - you can fly in, get off the plane, and climb into bed with somebody you've never met - and that's weird!
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