A Quote by Gary Jarman
It's weird for me to try and write punk songs - I'm almost scared of it.
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Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
I sit and I write automatically. I don't really try to write. My subconscious mind takes over and writes the songs for me. Songs come very easily for me. When I'm inspired, it takes me 20 minutes to write a song.
I think when we were starting out, it was more about imitating our songwriting heroes. We would try to write songs like Neil Finn, or we would try to write songs like Ray Davies, or we would try to write songs like Glenn Tilbrook.
I think if you listen to our records, they come at different points in your life. When people say to me that Stars records have themes, I think what they mean is we write songs - or try to write songs - that are timeless. We try to write songs that catch you at the right time in your life, and that you can hold on to. We write kitchen sink songs. If you're doing the dishes or you're driving to your mom's funeral, or if you're getting over having done MDMA and you feel sad, you can listen to Stars because we're not going to demand of you that you be cool.
You write in songs what you're too scared to write in real life, and then you sing the songs to loads of people instead of telling it to the person you should be telling it to... Songs are a great way of dealing with those issues but kind of a coward's way as well.
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
For me to create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish. But I get to some really good stuff after a while.
It doesn’t feel natural for me to write some diary type song. I want to write a classic like Yesterday but weird songs about meatballs in refrigerators come into my head – I can’t help it.
As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.
I can't write story-songs, like I couldn't write a Bob Dylan or Tom Waits song. I can only write whatever weird phrases come into my head, and hope that they're good.
To create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish.
I wanted to get a guitar [when I was 13] so I could play punk songs because kid taught me power chords at summer camp. He was like, "You could play all punk songs if you just learn this chord and just move it around on the guitar".
I always try to write the best song I can in the moment, and those songs are often going to end up on Death Cab for Cutie records. I don't set out to write a solo song or write a band song. I just write, and where that songs ends up is kind of TBD.
Who decides what is and what isn't punk? I want to write songs that people hear and feel, and I want to be successful and reach a big audience. I'm not trying to be the coolest guy in the world; I'm trying to write songs that mean something to people. As you get successful, sometimes you lose one set of fans and gain another.
I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs... I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.
I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.
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