A Quote by Gary Kemp
Maybe I've got to admit that what I did here was enough. I can make some more films. Maybe I'll direct a film. Maybe I'll have my musical put on stage. But nothing, really, to be absolutely honest, competes with making a very successful pop band for 10 years of my life.
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You know, it's not my film [Valerian], it's really their film. It's very strange. And maybe because it's more when you comes to the Marvel films it's way much more organized and plan, you know, they planned. Okay, we have Thor here, we have this and then we do The Avengers, and then we group. You know, it's much more organized. So maybe there is a little less freedom at the end for the creative people. Where I did the entire opposite. I let them help me, you know. So that's also why maybe they were so involved.
Maybe the heart is part of the mist.
And that's all that there is or could ever exist.
Maybe and maybe and maybe some more.
Maybe's the exit that I'm looking for.
I think a lot of actors, maybe who have been on a hit show and been lucky enough to get successful, might say 'no' more than I do. And maybe that's good, maybe that's smart. I don't know.
I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it, but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.
Sometimes people are surprised to learn that most of the films I've made don't work. They've been released but nobody has ever seen them. Maybe 40 percent of them are very successful. That's a very high percentage; most people have maybe 10 or 15 percent of their films work.
We remember nothing. Maybe for a year or two. Maybe most of a life, if we live. Maybe. But then we will die, and who will ever understand any of this? And maybe we remember nothing most of all when we put our hands on our hearts and carry on about not forgetting.
The stage of investing that I do is seed stage, so it's really early. Here's a pair of founders who maybe have a prototype. They have a little bit of traction, maybe one employee, tops. At that stage, you really, really can only evaluate a company based on those founders and what they've been able to build. It's very, very team driven.
Maybe if you're younger you have more energy - but that's a big maybe. Because at this stage of life, I have more patience, understanding, wisdom, resources - and a husband. I didn't get him until I was 39. But I got a good one.
Steven and I stood on the stage at the Boston Garden after the Stones had just played there and the stage was still up. We had been playing cards, maybe a high-school dance, to 400 or 500, maybe a thousand. We just stood on the stage and thought, 'Well,man,maybe someday.' In 4 years that was OUR stage.
OK, I wasn't as successful as, say, Julia Roberts, but I'd spent years in a very respectable career, some big American films but a host of other smaller, really exciting, maybe experimental films, being paid rubbish but working with fine people, that was what I thought I was known for.
I really don't know where my interest in death comes from. Maybe I've just got a twisted imagination. The truth is, I haven't had a hugely eventful life - maybe I'm compensating in my creative life. Or maybe I'm just a bit sick.
Now I have been studying very closely what happens every day in the courts in Boston, Massachusetts. You would be astounded--maybe you wouldn't, maybe you have been around, maybe you have lived, maybe you have thought, maybe you have been hit--at how the daily rounds of injustice make their way through this marvelous thing that we call "due process.
I did documentaries for maybe 10 years before I turned to fiction films.
Editing rooms are kind of, by definition, a bubble of you and the editor and what you're thinking. It's a truth-telling thing to watch it through someone else's eyes, is to get another level of real with your material. Like, "Maybe that's not that funny. Maybe that's not as interesting. Maybe that's redundant to something else. Maybe we can cut down." I don't know. It's a brutal, honest process. You've got to be pretty - You can't be sentimental. You have to be. It's a cold process. You can't be nostalgic. You have to make those tough decisions.
Maybe it’s my own fault. Maybe I led you to believe it was easy when it wasn’t. Maybe I made you think my highlights started at the free throw line, and not in the gym. Maybe I made you think that every shot I took was a game winner. That my game was built on flash, and not fire. Maybe it’s my fault that you didn’t see that failure gave me strength; that my pain was my motivation. Maybe I led you to believe that basketball was a God given gift, and not something I worked for every single day of my life. Maybe I destroyed the game. Or maybe you’re just making excuses.
Just like I described in health care, yeah, somebody comes in, they got new ideas, maybe ideas that are completely opposite of my ideas. Maybe some of it goes, maybe some of that progress goes back. Maybe they think of some things we didn't think of, and so in some other areas - we can learn something.
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