A Quote by Gary Larson

I didn't feel that my identity was caught up in being a cartoonist, and that if it stopped I'd stop. — © Gary Larson
I didn't feel that my identity was caught up in being a cartoonist, and that if it stopped I'd stop.
Anti-depressants helped me get up in the morning and stopped me from being sad, but what they also do is stop you from being happy. So I was just in this numb state. I stopped laughing at jokes, and that's just not me.
You would give up your career if you lost your voice for good, or if the impresarios stopped calling, or the audiences stopped coming. But as long as those things are there, I don't plan to stop. There is nothing that makes me feel better than to be with my public.
When I stopped touring, it was like trying to stop a bullet train or a giant lead ball falling from a 100 stories up - it's momentum and it doesn't just stop. I drew a line in the calendar and made it a brick wall and just stopped dead. There was no other way. It would've taken another 100 years to slow down slowly. I had to let myself imagine a calendar with no lines; when every single day is being predetermined six months in advance, there's no more fluidity to time.
When I fought Holmes, I feel I was a better fighter than he was. I was just so caught up in what was written about the fight - I got caught up in that whole thing.
In spite of being so absorbed in comics when I was in primary school, for whatever reason, I stopped reading them that much once I started junior high. I think it's probably because I got caught up in movies and TV.
I write separately from the inking up. I'm sure this varies from cartoonist to cartoonist; I find that the writing is the hard part and the drawing is the fun part.
Critics stopped being relevant when they stopped writing to inform and contextualize, and when they started writing to signal who they are, to display their identity by their stance on what they are writing about. Criticism should never be about the critic, but thats what it has become, and that’s why no one cares about them anymore.
The second that MercyMe stopped being my identity, instead of quitting, I started falling back in love with it.
I don't consider myself a cartoonist, because to me a cartoonist has a lot of technical ability to draw and such. However, I do consider myself to have a bit of a cartoonist character. I definitely am analyzing and satirizing pop culture and politics and whatever strikes my fancy.
I've never stopped being Argentine, and I've never wanted to. I feel very proud of being Argentine, even though I left there. I've been clear about this since I was very young, and I never wanted to change. Barcelona is my home because both the club and the people here have given me everything, but I won't stop being Argentine.
You never should feel like you've grown up because then you've stopped learning and you've stopped getting the best things out of life.
I stopped eating beef at 13 and stopped eating all meat a few years ago. I would feel guilty that what was on my plate was walking around yesterday. Either I could live with that or stop eating meat. I choose the latter, and I'm happier for it.
One identity is as a television writer, which is very classically Southern California, but another of my personae is as a New Yorker cartoonist.
We are a feelingless people. If we could really feel, the pain would be so great that we would stop all the suffering. If we could feel that one person every six seconds dies of starvation ... we would stop it. ... If we could really feel it in the bowels, the groin, in the throat, in the breast, we would go into the streets and stop the war, stop slavery, stop the prisons, stop the killing, stop destruction.
My being Muslim is only one part of my identity. But particularly in India and the world over, a concerted effort is being made to diminish all other aspects of identity and only take your religious identity as who you are.
Well, I decided to stop. And I did. I stopped smoking, and I stopped speed at the same time.
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