A Quote by Gary Lineker

I've loved George Michael for as long as I can remember. He was an absolute inspiration. Always ahead of his time. — © Gary Lineker
I've loved George Michael for as long as I can remember. He was an absolute inspiration. Always ahead of his time.
I once died my hair blonde, and it looked like an orangey-red carrot top. It was the '80s, and I was trying to look like George Michael. At the time, the ladies loved it, and I loved it too!
He loved me. He'd loved me as long as he he'd known me! I hadn't loved him as long perhaps, but now I loved him equally well, or better. I loved his laugh, his handwriting, his steady gaze, his honorableness, his freckles, his appreciation of my jokes, his hands, his determination that I should know the worst of him. And, most of all, shameful though it might be, I loved his love for me.
Growing up, I loved Boy George, George Michael, Annie Lennox, Queen, Freddie Mercury, Celine Dion, Barbra Streisand and Diana Ross.
He had to think he was Michael Wayland’s son, or the Lightwoods would not have protected him as they did. It was Michael they owed a debt to, not me. It was on Michael’s account that they loved him, not mine.” “Maybe they loved him on his own account,” said Clary.
If something inspires you, try and hold on to that inspiration because if you lose that inspiration, what do you have left? If music is your inspiration and it brings you together with friends, family or loved ones and that's the core of it, then always have it. Always draw from it.
I came around at a time when myself, Michael Jackson, Prince, Madonna and George Michael, we were considered kind of dangerous.
Man, 'Hill Street Blues' was on when I was 12, and I remember feeling I'd never seen anything like it. It was that far ahead of its time, with dark characters you loved. I remember Ed Marinaro, the football star.
No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept. For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.
I am thinking of George Michael's family, friends and fans. He was so loved and I hope he knew it because the sadness today is beyond words. Devastating. What a beautiful voice he had and his music will live on as a testament to his talent. I can't believe he is gone. I hope the Buddha will hold him in his arms. NMRK.
Look at what George Foreman did to Michael Moorer. No matter his age, he hits so hard that he's always in a fight.
George Jones has been a major part of my personal and professional life for a long time. I have been inspired by his music for the last 50 years and for 42 of those, I had the pleasure of knowing him personally and professionally. He was IT to me. George was and will always be my guy. I am luckier than a lot of people on this Earth because God let me be a part of George's life and him a part of mine. And on this day, his song couldn't be more true: 'He Stopped Loving Her Today.'
One of my favourite contemporary fiction writers is a Texan, Ben Fountain. His extraordinary novel, Billy Lynn's Long Half-Time Walk, all takes place within the half-time show at a Dallas Cowboys football game. No one has better summed up the American appetite for spectacle, the link between sports and politics, and the absolute madness of George W. Bush's Iraq War.
George was the easy part. As for Michael, I had always liked the name, and my father's brother is named Michael. I thought it was a good idea because there are a lot of Greeks in England with the second name of Michael; as a child I had a Greek friend whose second name was Michael. It was like getting the name that I wanted without having to get rid of the Greek element.
If you ask anyone in animation, how long they've been into animation, they'll pretty much always tell you that it's since they can remember, and I'm no exception. I've always just loved drawing and loved cartoons.
Michael Jackson loved epic symbols. In his shows and his videos, he always destroyed or salvaged worlds; he was the hero of parables about street violence, sexual combat, war and natural disaster. It was always apocalypse or apotheosis now.
Inspiration is never genuine if it is known as inspiration at the time. True inspiration always steals on a person; its importance not being fully recognized for some time.
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