A Quote by Gary Louris

I think my strength is in shaping a song - you know, making it feel like it reaches its peaks and valleys, and ends when it should end. — © Gary Louris
I think my strength is in shaping a song - you know, making it feel like it reaches its peaks and valleys, and ends when it should end.
When sequencing an album, you kind of have to look at it like you're making a movie with different acts, and you have ebb and flow, peaks and valleys. You want it to feel like a journey or a good movie or book where you can actually feel very satisfied at the ride at the end of it.
What they frequently want to do with a movie is, they want to cut out the valleys and just show the peaks. And valleys are important; the valleys make the peaks stand out.
All of life is peaks and valleys. Don't let the peaks get too high and the valleys too low.
The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.
Man, just believe in yourself, be able to dream, and know that there's going to be valleys and peaks. Always stay centered, and know that God is the key, the beginning and end of everything you do.
There are going to be peaks and valleys in everything - in your marriage, in your job, in your life. So just enjoy the peaks and ride out the valleys. Just try not to do anything too rash.
'Precious' is strangely uplifting. It goes down into the valley but it also goes to the mountain tops. A lot of difficult realities are explored in 'Precious,' but the peaks make the valleys and the valleys make the peaks.
Life is supposed to be a series of peaks and valleys. The secret is to keep the valleys from becoming Grand Canyons.
When I start to write a song, I have the words and I have the melody, and then it's just a matter of making it to the end. I think if I have something that I could identify as a talent, it would be that I can finish a song. I kind of know intuitively where the melody should go.
It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.
When you listen to an album, it shouldn't feel like, "That's the girl song," "That's the club song." I shouldn't know what you're thinking while you're making the song. I don't want to know what the artist is thinking.
I may not know the weight of those things, but I could feel the weight of that one, so I kept it to myself. You know that things aren't going well for you when you can't even tell people the simplest fact about your life, just because they'll presume you're asking them to feel sorry for you. I suppose it's why you feel so far away from everyone, in the end; anything you can think of to tell them just ends up making them feel terrible.
Everyone messes up in relationships and has peaks and valleys in their personal lives. When I realized it wasn't the end of the world and I would keep on standing, I knew it was going to be OK.
There are some great roles mostly in Shakespeare's tragedies which no one can play at full strength from beginning to end. One simply hopes that one can hit the peaks as often as one has the strength.
I don't feel like songs should be hoarded. I don't feel like one's tainted if somebody else does it. That's the mark of artistry - take a song that's maybe even a really popular song and do it your own way. I think that's cool.
It doesn’t feel like the end of the world. (Davyn) No, it doesn’t…(Stryker) How does the song go, ‘It’s the end of the world as we know it and I feel fine? (Apollymi)
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