A Quote by Gary Moore

I came in touch with music at an early age. My father was a show band promoter, who took me along as a little nipper of five and put me up on the stage with the musicians to sing.
We get along, we talk music.Lenny Kravitz took me to Harlem to see this little jazz show in the back of a church. It was just shitty fluorescent lights and a small stage piano, but this band tore it up.
My father died early. My mother died early. I started hanging with the gangs. I'm on the streets; I'm committing crimes. And the music came along, and this music just took me on a different road.
I think some of my inspiration came from just being around music. My family was into music. My uncle had his own band and my father use to sing in my uncle's band. If you want to go to the music influences we could be here all day. That's everybody from Michael Jackson all the way up to people in the game now that inspire me.
When I was 14-15 years old I was able to earn a little money from time to time but I'm not complaining since, very soon I could provide a normal living. I was discovered also by other musicians and they asked me to work with them. Even in my early age several well-known artists asked for my services both on the stage and in the studio. This experience proved to be very useful, musicians showed me various musical situations and various music experiments.
Whenever I sing 'Total Eclipse of the Heart,' the way people sing along with me still excites me. It's one of the songs that audiences know all the lyrics to, and they sing along with me, and it makes me so happy. People also know my songs 'Holding out for a Hero' and 'Lost in France,' and this gives me so much joy on stage.
I was a huge fan of this band called Sparks. It was a pretty good inauguration to music since their music is quite complex. They were a little glammy, and me - being a kid and not really understanding the complexity of grown-up lyrics - I took the best out of it. But at the same time, it was mysterious enough and too far away from me for me to really be able to reach it. But they were my first love affair in the world of music. I loved that band.
The show is coming from the music. I get on the stage with the band, and I communicate with my musicians, and the music that we create and all that is coming out of us. The music is making the show and the music is creating the atmosphere, so if you close your eyes and listen and feel what it is that's coming out of the speakers, that's the whole point.
I was exposed to Grace Jones and highlife music at a young age. I would sing along and as I grew up, music was the only thing that felt like a safe haven for me.
Music was just played all around me, and I couldn't run from it. My pops, he never learned to sing, but he'd have his little drink on the side, and he'd put on the best of his hits - gangster rap or oldies - and he'd sing all day on his mic plugged up to the wall set-up. It's a trip. I've just seen that my whole life, so I've always just had a love for music. By the time I was 13, I really just jumped in it. And it's something I took on to have as a hobby.
I came up with Jazzy Jeff and the Fresh Prince. Those guys, they took me under their wing at an early age.
Quite a few musicians came to our house. And my ma took me to hear many more, hoping to encourage in me a love of music. But she wouldn't consent to my having music lessons, for she feared I might end up as she had done - unable to play except from paper.
Quite a few musicians came to our house. And my ma took me to hear many more, hoping to encourage in me a love of music. But she wouldnt consent to my having music lessons, for she feared I might end up as she had done - unable to play except from paper.
I am lucky to have the greatest band and when you add a symphony orchestra to the mix it brings all of my songs to a whole new level. I wouldn't say I really change what I do but, having those talented musicians behind me, along with my band, really makes the songs so much bigger and more fun to sing.
I came here when I was 20. I came to go to school, but I ended up working for Halston as an assistant. That happened in a very strange way. My father had a meeting with Halston. And my father said to me, 'Join me. I want you to meet this amazing American designer.' And I happened to just tag along, and Halston offered me a job.
As a youngster in the little orphanage home in New Orleans, I was the bugler of the institution. When I got to be around 13 or 14 years old, they took me off the bugle and put me in the little brass band.
When my dad was still playing, he was away for five years on and off, so it just used to be me and my mum at home until my little brother came along when I was five.
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