A Quote by Gary Moore

I think a good guitar solo sounds so much better within the context of a good song. — © Gary Moore
I think a good guitar solo sounds so much better within the context of a good song.
I remember a song I did called 'If the Good Die Young' - I wanted to have a lead guitar solo on there, and the label flipped out! It was too rock and roll. They made us go back and put fiddle on the solo.
If I look at my own recordings, I think generally there is a focal point within the song and often it's the instrumental bridge or a guitar solo where we try to do something unexpected, something beautiful or weird, or beautiful because it is weird. And of course I fail half the time, but yes that is the goal, to create even a few seconds of bliss, or sadness. The electric guitar is a great instrument for doing this because it is capable of surprising you. There are so many different sounds available.
A great guitar solo is really a song within a song. You can always go off and do your pageantry, but it has to be structured.
The first song on my first album is not a song - it's a guitar solo! It's called 'Frenzy,' and it's pretty much nonstop maniacal guitar playing. I had just turned 19, and I had some serious muscle then.
The difference between a good song and a great song is a good song is one that you know, you'll put on in your car or you'll dance to it. But I think a great song you'll cry to it, or you get chills. I think a great song says how you feel better than you could.
Most people don't really need to hear a six-minute guitar solo that modulates between five keys and time signatures. What they want is a good song.
I always knew Gordon Lightfoot was a really great songwriter, but his stuff even sounds better and better all the time. It's just so really good to me. It's just like that's what should be in a dictionary, you know, next to a really good contempory folk song, is a Gordon Lightfoot song.
If you have a song that you think sounds like another song you should contact the publishing company and say I have a song here, let's cut a deal that lets everyone walk away feeling good.
I think there are some good players coming up. I think we are at a point where people can swallow a guitar solo in a pop rock record again.
On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.
I feel like if it's a good song on a guitar, it's a good song no matter what.
I enjoy my solo career because I get to play smaller places like clubs and theaters, and the interaction with the audience is much higher quality. It also sounds better than a baseball stadium. Everybody has a good seat, and I don't have to play a specific part like I do in the Eagles.
As a songwriter, you try your best to write a good song, and you like nothing better than hearing a good song. It's easy to admire a great song, and you want to share out of enthusiasm.
I tend to prefer the band thing. I think playing solo is good for about 45 minutes. I remember when I was on my solo tour that I got a chance to play with Martin Stephenson of the Daintees. He's now refashioned himself as almost a delta blues guitar player and he's got all the technique, all the persona and the charisma on stage. I think I do too, but I'm more of a first position strummer guy with a little bit of filigree work. I could listen to him for hours; I could listen to myself playing solo for about half an hour!
Musically, I am still hooked and just hypnotized by the sound of the guitar itself. I mean, a guitar sounds good if you drop it on the floor.
I think for music, it's global. You have a song, it sounds good, everybody likes it.
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