A Quote by Gary Neville

We're at the top of the cliff and we can either fall off the edge or keep climbing. — © Gary Neville
We're at the top of the cliff and we can either fall off the edge or keep climbing.
If people are constantly falling off a cliff, you could place ambulances under the cliff or build a fence on the top of the cliff. We are placing all too many ambulances under the cliff.
Keep your words. This pain is no life." "You only feel pain because you're alive, boy!" the keeper thundered. "This is the mystery of it. Life is lived on the ragged edge of the cliff. Fall off and you might die, but run from it and you are already dead!
I am simply not prepared to stand back and watch my country fall off a cliff edge. If that means voting against my party, so be it.
Hark, dumbass, the error is not to fall but to fall from no height. Don't fall off a curb, fall off a cliff.
With 'Horror Story', it really was, 'You're going to run; you're going to jump off this cliff, and trust that that Ryan Murphy is going to catch you.' So I just ran head-on into it and jumped off the edge of that cliff.
I don't really recognise success. I don't see myself as on an upwardly mobile trajectory. I see myself as on the edge of a cliff about to fall off.
It’s right to say that people fall in love. We don’t glide, slip, or stumble into it. Instead we tumble head first from the moment we decide to step off the edge of a cliff with someone and see whether we’ll fly together. Love might be irrational, but we make the choice to risk everything.
I told Ersken, "Lately it's been like living on the knife's edge, never knowing which side I'll fall off on" Ersken clapped me on the shoulder as we stepped into the street. "Cheer up, Beka. Maybe you were going to fall off that razor's edge before, but not today," he said, as good humored as always. "Today we're doing to jump.
You can either keep peddling, get off the bike or fall over.
I went to a party in Ibiza in 1984 in this house built into the side of a cliff with glass walls. It was the most dramatic thing I'd ever seen. There was a fountain that ran through the house and off the edge of the cliff. If you've ever seen the Peter Sellers film 'The Party,' it was the spitting image of that.
And that was it. All this buildup to a great leap, and I didn't fall or fly. Instead I found myself back on the edge of the cliff, blinking, wondering if I'd ever jumped at all. It's not supposed to be like this.
When I did the video for 'Holding Out For A Hero,' we filmed that on top of the Grand Canyon, and that was quite frightening. I was close to the edge, and there was a helicopter hovering about, creating a lot of wind, and I was nervous I was going to fall off.
It was the strangest sensation, fallin' in love. 'Bout the only thing I compare it to would be jumpin' off a big cliff. Once you're past the edge, there ain't no particular reason to be graspin' for a line a safety. You just keep on fallin' anyhow, so you might as well enjoy it the whole way down.
I keep falling off the edge of the stage because I can't see it. I can't see my wrinkles in the mirror either, though.
I live through risk. Without risk there is no art. You should always be on the edge of a cliff about to fall down and break your neck.
The purpose of fiction is not to nail you to the ground as facts do, but to take you to the edge of the cliff and kick you off so you build your wings on the way down.
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