A Quote by Gary Numan
Strangely enough, when the Sugababes' 'Freak Like Me' went to number 1, which was built around my 'Are 'Friends' Electric' song, I had another song called 'Rip' go to number 1 in the Kerrang TV chart, so I was pulling new people in from very different areas of musical interest. That was quite an amazing week.
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Things like, people saying the new album would debut at number one on the Billboard Charts in the U.S. and I said, "No it's gonna be number Three." Because Number 3 is a very powerful number on the album. It's repeated quite often. Then it did chart an Number 3. Was it a coincidence you decide. If your in touch with your subconscious, you can really use it to your advantage
I've literally been in sessions with producers, writing for other people, and they're like, 'We need a song for this artist, and we need it to sound like this song.' They're literally saying, 'Rip off this song that was no. 1 last week,' and that's just so uninspiring.
I played a couple of ideas and then had this unusual texture underneath which was like this little granulated kind of pipe organ almost like a scratchy record which he started [inaudible] brilliantly. "Oh I love that song." And when things go fine, it's good. So he started loving that song and that song was used quite a lot in the movie which is very granulated stuff on the guitar.
Me and my friends made a group called 1400 and the number always stuck with me. I always see it everywhere I go. There's an angel behind the number, it's an angelic number.
Everyone has their own experiences with song. It means one thing to me and it means something entirely different to somebody else. I have a song called 'Apple Cherry' which is a song about unrequited love and to this couple in London, they fell in love to this song. The girl in the relationship called me and said she wanted to propose to her girlfriend could you sing 'Apple Cherry' while I do it? I was like 'Really? That's not a love song about getting together'.
For listeners, the song 'Kehne ko jashn-e-baharaa hai' looks a very easy number. In fact, it was a challenge to sing the song as I had to really suppress my voice and make it appear like a casual track.
Whenever I think I know something is a classic, or an amazing song, I realise it's still so subjective, because you and your friends could be talking about something, say, '(I Can't Get No) Satisfaction' - an amazing classic song - or someone would be like, "'Hey Jude' is an amazing song!", and I'd be like, "I don't really like it."
I always think 'Pity the Child' is a goodie. And I've always liked a song called 'Heaven Help My Heart,' which is quite a corny number.
What's really cool about 'This is Me' is that our friends loved the song. Older punk rock fans don't know 'The Greatest Showman,' haven't seen the movie. And they hear that song and they're like, 'This just sounds like an awesome New Found Glory song. This is a really good song.'
This song is by Bjork called 'Oh So Quiet' and it's really different. I'll be screaming and just having fun on stage. It's really, really different but I'm very excited to do that number.
One week you may be an actor, and the next week you had to be nimble enough to be a TV host. And the week after that, you might have to do some stand-up or be in an improv company or write and sing a song somewhere.
My first song was 'So Sick,' which was my first number one as an artist, and I turned the mic around to the crowd, and they sang the whole song. Every lyric. That was my first experience with the power of music.
It seems to me that the American popular song, growing out of American folk music, is the basis of the American musical theater… it is quite legitimate to use the form of the popular song and gradually fill it out with new musical content.
I've always believed that there's an amazing number of things you can do through a rock'n'roll song and that you can do serious writing in a rock song if you can somehow do it without losing the beat.
The interesting thing about a song like 'Bulletproof Heart' - it was [originally] called 'Trans Am' - the interesting thing about the amalgamation of that song was that the song also lived within us, like we all got to live with the song and it was around for about a year before we recorded it again, so the song got to really transform, which you don't really get to do.
'Tim Timtya' was different from what I usually do. I had to develop a texture to go with the song. In fact, many told me I sounded like Shreya Goshal, which came as a pleasant surprise. Transitioning from tracks like 'Sunny Sunny' to this one was quite different.
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