A Quote by Gary Numan

I'm very into science-fantasy, that kind of swordfights and magic and technology thing. — © Gary Numan
I'm very into science-fantasy, that kind of swordfights and magic and technology thing.
Science fiction is fantasy about issues of science. Science fiction is a subset of fantasy. Fantasy predated it by several millennia. The '30s to the '50s were the golden age of science fiction - this was because, to a large degree, it was at this point that technology and science had exposed its potential without revealing the limitations.
William knows that science and magic are the same thing; magic is only science that hasn't been explained yet. Tonight he has made chemistry into magic for her.
For me, a great fantasy is real people, a world I recognise, human struggle and magic. You've got to have magic to make a fantasy work. But I like my magic to be subtle. I don't want magic coming out of the hands of wizards. I want it to be pervading, sinister somehow.
[Science fiction is] that class of prose narrative treating of a situation that could not arise in the world we know, but which is hypothesised on the basis of some innovation in science or technology, or pseudo-science or pseudo-technology, whether human or extra-terrestrial in origin. It is distinguished from pure fantasy by its need to achieve verisimilitude and win the 'willing suspension of disbelief' through scientific plausibility.
Magic is antiphysics, so it can't really exist. But is shares one thing with science. I can explain the principle behind a good science experiment in 15 seconds; the same way with magic.
I love fairytales. I like fantasy a lot, science fiction, I like magic. I like to create magic. I love magic.
I think there's a certain paranoia about science because there is a certain risk related to science which people are very wary about, and therefore, there is an inherent risk aversion to science and technology or, at least, science and technology of unknown.
When I started in the business, there was a thing called adult fantasy, but nobody quite knew what it was, and most publishers didn't have an adult fantasy list. They had science fiction lists, which they stuck a little bit of fantasy into.
I realize that, to many readers, Hard Fantasy may seem to be a contradiction in terms. Fantasy, according to most generally recognized definitions, differs from both 'real world' fiction and 'science fiction' in that magic or magical creatures are active elements.
When I write my books, actually, I'm known for very logical rule-based magic systems. I write with one foot in fantasy and one foot in science fiction.
When I write my books, actually I'm known for very logical rule-based magic systems. I write with one foot in fantasy and one foot in science fiction.
Religion asks you to believe things without questioning, and technology and science always encourage you to ask hard questions and why it is important in science and technology. So I was always interested in science and technology.
And by the way, I wanted to point out that Kindred is not science fiction. You'll note there's no science in it. It's a kind of grim fantasy.
One of the things that Teller and I are obsessed with, one of the reasons that we're in magic, is the difference between fantasy and reality. That is the subject that, if you have a brain in your head, is always dealt with in magic. The smarter the tricks you're doing, the more that' s an important thing.
In magic I believe I can control certain elements of my environment, I believe I can control certain aspects of my endocrine system, through imagination, visualization, breathing techniques, which in a sense come into the scientific aspects. So magic is a combination, its a soup, a delightful combination of art, imagination, visualization, fantasy, with a healthy dose of solid basis, because it is a science. The thing is we've lost the keys.
I've always loved fantasy books. Even just growing up, I've always kind of loved magic and fantasy.
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