A Quote by Gary Oldman
The great thing about having been in a lot of make-up, and stuff like that, is that when you're working with someone who's in it, and you've been there and done it, but you're not in it anymore, you feel so good.
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I love working with people and having them bring something to the table that I couldn't. I think one of my favourite artists to work with has been Kucka. She's Australian, too, and it's great working with her because we kind of have a very similar take on music, and we like a lot of the same stuff. We're not super-precious about ideas.
I feel like actors, having spent a lot of time on movie sets, tend to make decent directors, because they've been there, they know what they're doing, they've seen it done right, they've seen it done wrong, and they feel comfortable. There's not a lot of chin-scratching and wondering what your next move is.
I can say that I'm a feminist and I try to be progressive and all that stuff. But I when I'm tired or when I've been thrown up on for the second time that I'm just a tired man trying to keep it together. I've had a lot of jobs over the years and people who make television - it's ridiculous how much they're lauded and paid. It's irresponsible and stupid. But it is hard work. It's very difficult to balance having three young kids and working like that. So I owe my wife an enormous debt of gratitude. I feel guilty that the kids had to be grown in her body and she hasn't been able to work.
I've talked to a lot of other women in the field of comedy and none of us feel like being a woman has been a barrier to success in our lives. I can't claim to feel like I've been under some man's thumb in comedy. I've sort of always done my own thing for better or worse, and have been lucky enough to be able to perform ever since. So I'm not surprised by all the articles, but I don't know if it's necessarily true. It's not like we haven't been around.
I don't like the fact that no one has any imagination anymore. It doesn't pay to be a dreamer because all they really want you to do is answer the phone. Nobody wants you to think about anything new or use your brain or make anything interesting because everything important has already been made. America is over; it's done being brilliant.Everything genius has already been built, like all the great works of art have already been produced.
I'm not a great guitarist, but I do bits and bobs. I'm mainly a songwriter and a composer. I've done a lot of scoring and some stuff for British pop music that did pretty well, but I've mainly been working on my own stuff with Duncan Sheik.
If I hadn't had my children, I would have been discouraged a lot quicker. It would have been much more easy for me to say, "You know what, let the whole thing go. Have a good time, because these people, this place - it's just not worth it." You know? I can't do that anymore. I look into those eyes and they look at me so trustingly that I'm gonna make sure that [they're thinking], "Hey, you did a good thing bringing me into the world, daddy. I'm going to have a great life!"
The stuff that I used to worry about before, it's like I don't worry about it anymore. Which is kind of a beautiful result of having a baby. It's like everything gets so simple. It's like, 'Great, I care about how you're doing. I care about getting you what you need, and the rest of this stuff, if it happens, great, if it doesn't happen, oh well.'
A lot of my work has been about stuff I've been frightened of: cliffs, explosions, meteorites, that kind of stuff. I would have been this trembling blob of fear if I hadn't got into making art, which is a good way of deferring it.
Personally, having, you know, lived and worked in the White House, having been a senator, having been Secretary of State, there has traditionally been a great pool of very talented, hard-working people.
I've been really lucky with acting, in that I can do things I believe in and feel good about, and feel good about myself. If for some reason one day that ends, I won't do it anymore. If I feel like I have to compromise myself to continue to be in this industry, I don't want to do that.
I've been cast in a lot of comedies. I've done things like multi-cam sitcoms: you know, 'Seinfeld' type... not as good as 'Seinfeld,' but that kind of thing. I love that stuff.
My Hellboy is modeled on my father in some ways: a guy who's been in the Korean War, and he's traveled, and he's done a lot of stuff, and he's kind of got a been there, done that attitude. He's also been in the world. Del Toro's change was to have Hellboy bottled up in a room and mooning over the girl he can't have.
I've been really lucky thus far with acting, in that I can do things I believe in and feel good about, and feel good about myself. If for some reason one day that ends, I won't do it anymore. If I feel like I have to compromise myself to continue to be in this industry, I don't want to do that.
I also feel that the only thing more gratifying than working with someone who you've worked well with is working with someone new and coming up with something great.
Being good at fashion and beauty and girly stuff has been such a point of insecurity for me; I'm not good at coming up with jokes that make fun of other people for that, because I don't feel like I have a mastery of it myself.
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