A Quote by Gary Oldman
How many movies do you see when you can say this director really knew what film he wanted to make? I can count them on the fingers of one hand.
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I've pretty much grown up on set, and my favorite part about it is being able to actually see how movies are made. I knew when I was about 14 that I wanted to be a director and that I wanted to go to NYU for film school. It kind of feels like it's been a long time coming.It's a relief to actually be in, because the college process is so hyped-up.
I wasn't one of those kids who dreamed of writing novels when I was 8 or 12. I wanted to be a film director. I wanted to make big action movies. I loved movies like 'Die Hard,' 'Predator,' 'Aliens,' 'Raiders of the Lost Ark.'
In life, usually, even if you live in a big city, you can count on your fingers on one hand how many real friends you have; that's human.
I really didn't know what I wanted to do. I went to art school and tried a bunch of different things, but I knew I wanted to do something in the visual arts. And I'd always been around my dad's film sets, so the interest was there. But I didn't have the guts to say, "I want to be a director," especially coming from that family.
When critics or people judge, I think it's harder to make a commercial, pop movie than it is to make a pretentious art film. It's harder to reach millions of people and satisfy them and make them happy. These films kind of get ghettoized, this genre because there are so many big, big movies that are such big hits, but aren't any good. The audiences, they're not judging the style of the director, or the execution of the film. They're just looking to be entertained. They want to escape from their reality, and that's why we make movies, to get people to escape from the realities.
In film school, I knew I wanted to be a director, but I found out pretty damn quickly that nobody was just going to hand me a script to direct.
I knew nothing about the independent film industry. I didn't know much about the industry itself. All I knew was how to watch movies, how to enjoy them, how to hate them, how not to like them.
In many countries, they do not even keep track of how girls are doing in school, or if they are there at all. If we say, 'Girls count,' then we must count girls, so we can see if we are really making progress in educating every girl.
I have two wonderful, supportive and very practical parents who were like, you're really talented and really creative. You should be a lawyer because there's a safe path there. And I knew that I was never going to be a lawyer. And I knew that I wanted to make movies, and I wanted to write shows.
I wanted to be in film. I wanted to be a film student, possibly be a director or cinematographer, not an actor. That was my goal. I didn't believe I had the physical beauty that I'd seen projected and advertised in movies, in theater. It just wasn't for me.
I only watch my movies that I make once, so I can just see how it hangs together, but after that, I don't watch them again. A lot of people have disappeared from Earth that you've worked with, and they make me sort of sad once in a while, and there's really no necessity for me to watch them. I've made them, and it's on film and that's that.
I don't think Indian actors are good. A couple of them are, like Anupam Kher, but not many are there like him in the industry. There are thousand of actors and actresses in the industry, but you can count on hand how many of them are really good; the rest of them are just pretty faces.
I worked with some directors, and it was really collaborative, and I was sort of writing with them. I was giving so many pieces of myself to their movies, I thought, 'It's about time I use my own voice for me, and establish my own voice.' So I knew I wanted to make films.
You want the film to be critically successful - you certainly want the film to be financially successful so that you can...well, because that's how movies like this are made, you know, they need to make money. But as a director, you can only make the movie that you want to make.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.
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