A Quote by Gary Oldman

You can play older than yourself. You can play younger than yourself up to a point, and then that just becomes impossible because you carry a weight with you that you can't shift, unless you have very boyish looks.
Yes, I can play younger than my age. But I can play characters older than I am, too. I'm not an actor who can just play the kid.
In Chicago, growing up there, that's how we played. You play for something more than just yourself. You play to win, and that's all that really matters.
When I was younger, I had to play with kids three or four years older than me because of my size, and they always had to prove they were better than the younger guy. That's the way it's been.
I've always made a point of playing parts where weight has nothing to do with it, and not just weight but looks. It's about being funny and being interesting, and I think there are a lot more interesting things to play than being overweight.
I can play younger. It's better to be playing younger because you've got that experience, and it's hard to play older when you're younger.
I think being able to age gracefully is a very important talent. It is too late for me. The horse is out of the barn... In past generations, people would try to play younger than they really are. My trick is, I don't try to play younger than I really am.
When you see where it is you're going, yet you are unable to sacrifice yourself to set yourself free then remember that from my experience you are able to just push harder than you ever 'thought' yourself capable of. Once one being sets themselves free from the chaos and becomes the living example of freedom then surely you are indeed free to do the same.
Just really be yourself, and if being yourself means you play two snare drums and nothing else, then play two snare drums and nothing else! Really figure out who you are and how you want your drums to feel because it's a very emotional instrument.
The spirit of playful competition is, as a social impulse, older than culture itself and pervades all life like a veritable ferment. Ritual grew up in sacred play; poetry was born in play and nourished on play; music and dancing were pure play....We have to conclude, therefore, that civilization is, in its earliest phases, played. It does not come from play...it arises in and as play, and never leaves it.
It can be hard to keep that mentality but I know that to play your best you can't be worrying about getting dropped, because then you just go into your shell even more and play safe. I've just got to come out and play how I know I can play - that's the way that you get the best out of yourself.
As I've gotten older, the parts have diminished. I liked it when I was younger, I could always play the lead in the movie and I could do all the romantic scenes with the women, and it was fun and I liked to play that. Now, I'm older and I'm reduced to playing the backstage doorman or the uncle or something. I don't really love that so occasionally, when a part comes up, I'll play it.
I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.
You can't hang around waiting for somebody else to pull your strings. Destiny's what you make of it. You have to face whatever life throws at you. And if it throws more than you'd like, more than you think you can handle? Well then you just have to find the heroism within yourself and play out the hand you've been dealt. The universe never sets a challenge that can't be met. You just need to believe in yourself in order to find the strength to face it.
People have different expectations when you're younger - it's less about changing yourself into a character; they want a more natural thing. And they just want you to be able to turn up every day and carry on working. They have a horrible fear of 10- or 11-year-olds, that they're going to say 'I don't want to play today.'
Improvisation is a great mystery. You play something, and you play an answer to it. Then you play something to wrap it up. Nothing is going through your mind; you're not thinking of anything. Every now and then you surprise yourself. Where did that come from?
Well Kerry, you're 19 and you're a lot older than a lot of people younger than yourself.
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