A Quote by Gary Oldman

I still don't have a publicist. If I'm in a film, you have an obligation to promote it, I'll do as much as I can. — © Gary Oldman
I still don't have a publicist. If I'm in a film, you have an obligation to promote it, I'll do as much as I can.
I look for three things. Number One is does the film promote the beauty and dignity of the human person? Number Two is does this film promote the transcendent moral order? And three, does it promote natural affection?
I don't have a publicist. I don't go to events or self-promote, or endorse things, or whatever it is people are meant to do in that world.
Promoting a film can get tiring but if you find a clever way to promote it, it can be fun. Also, it is not fair to yourself and the film if you don't promote it. You've worked hard for the film for the past six or eight months and then if you don't give it your all and create awareness among the people then it is not fair.
I tend to avoid interviews, I don't have a publicist and fear of failure is still very much alive in my personal life.
I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
Obviously I will promote 'Vaalu.' It is my film. I am the lead actress in it; I play a major part, and I will promote the film.
I only do the press for the work. I don't have a publicist. I don't go to events or self-promote or endorse things or whatever it is people are meant to do in that world.
You go through publicists because it's easy for a publicist to say to another publicist, 'No'.
I have people introducing themselves to me: 'I am your publicist; what can I do for you?' But I have never learned how to use a publicist.
If I talk about my personal issues, they say it is to promote my film. I'm not that desperate that I need to stoop down to such levels to promote my films.
I think I have an obligation, to the people who have consented to be in the film, to make a film that is fair to their experience. The editing of my films is a long and selective process. I do feel that when I cut a sequence, I have an obligation to the people who are in it, to cut it so that it fairly represents what I felt was going on at the time, in the original event. I don't try and cut it to meet the standards of a producer or a network or a television show.
I didn't like my hair and makeup one time on a photo shoot, and my publicist told me, 'You should just be happy with it - they haven't had a black girl on the cover since forever.' She's no longer my publicist.
I have realised that it has become essential to promote your film. God forbid, if a film doesn't run, I shouldn't be blamed for that.
If you don't like a film or do a film out of obligation in a comfortable zone, it would be very painful, but when you do something with passion, interest, and belief in it, it excites you.
I think that man has a fundamental obligation to extract from himself and from the earth all that it can give; and this obligation is all the more imperative that we are absolutely ignorant of what limits - they may still be very distant - God has imposed on our natural understanding and power.
I don't have a manager or a publicist and am hardly seen at film parties. I am not ambitious.
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