A Quote by Gary Owens
I'm not a mean comic, I don't want to turn anybody off - I just want to give a point of view or my take on things that everyone can laugh at.
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I want people to know my political point of view. There's an appetite for that, almost an expectation. I also want to make people laugh, but I wouldn't want to do it at the expense of my point of view.
Everyone has their own right to their own point of view and everyone has their own perception of everything and everyone doesn't have to love me, obviously, but I just think that it's too much when people say that they want you to die and it can be so dark and mean.
If I have ideas, I want to put them in the movie. It's not a minimalist approach at all but I feel like it's for the audience. It's about seeing how much texture we can give it and seeing how many things are there for people to latch on to... I just want to do it the way I want and I feel like it won't be helpful for me if I start worrying about that. I just have to follow my instincts. Everyone is going to respond differently to it and everybody's right - that's their point of view. That's how the story intersects with their lives.
In the future we'll be able to mentally contact anybody we want, see whatever image we want. And when we don't like it, we'll just turn it off.
I always want to be a member in the audience, and I want to hear it from their point of view and see it from their point of view so I can know if it's good. But that's just my issues, not a real problem.
You'd think that it was really hard for me to turn into North Carolina prostitute, but I didn't think of her like that. I just thought there were a lot of similarities. She loves art and she loves beautiful things, and in that regard, she's a girl, I'm a girl. We love beautiful things, we want adventure, we just want to be loved. She just really wants a family and to be safe. I think everyone wants that. I just came from it from that point of view rather than, "Oh, this girl is so different from me. How on Earth am I going to play her?"
Obviously, it's designed by record company executives who want a cheap success, and they don't want to give money to anybody and they don't want to give contracts, so they've created this world of very bubbly teenagers who want to be "idols" and they think all they have to do is mime quite well and they've made it. ... But it's not the problem of the kids, it's the problem of the record companies, because it's just an inexpensive way for them to have so-called, I won't say "artists", but erm...You're nodding, you know what I mean.
I take a biocentric point of view. I look at things from the point of view of the Earth and the laws of ecology. As opposed to the anthropocentric point of view, where everything revolves around humanity.
When you step in to act, you just zoom way in on the longest possible lens and you're just totally in the point of view of your character and you have to forget about everyone else. You don't care about what anybody else is, what they want or what they're trying to do. You're just concerned with your circumstances, what you're trying to get out of someone or some scene.
When you have a fresh point of view that comes from the right side of the heart, it's just so valuable. You can take it or not take it, but just that perspective can give you a lot of strength or make you reflect on a lot of things.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
If I'm collaborating with an artist I like to give them my point of view and if they don't want to take any of my recommendations it's fine, but it's hard otherwise.
I just didn’t want to be pigeonholed as an 'ethnic comic' or an 'Asian comic.' I just wanted to be on the same playing field as everyone else.
The last thing you want to do is preach to the converted. What you want to do is talk about issues from a non-political point of view, from a human point of view.
A comic's like anybody else - he does what he does to support himself and feed his family. But if a comic says the wrong thing, there's a chance the audience will want to take you down.
If you want the film [La La Land ] to represent all things jazz, it does not. You'll be disappointed by that. But, if you just see it as one guy's point of view, one filmmaker's point of view, and one story among many stories that can be told about jazz, then it's not as much of an issue.
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