A Quote by Gary Payton

I don't need to be in New York. If you've had a bad game, they're booing you and all that mess. — © Gary Payton
I don't need to be in New York. If you've had a bad game, they're booing you and all that mess.
Mayor de Blasio said that whenever he goes to a Yankee game he gets sick and tired of people booing and giving him the finger. Hey, what do you want? You're the mayor of New York City. It comes with the gig, pal.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
No players want to hear their own fans booing the players, booing the team, but football is a hard game, and you can't win everything.
I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
Rudy Giuliani needed to feel safe because he turned his life into a public mess. A public mess that the "New York Tabloids" covered daily.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
I was really nervous about people booing, because my mother had gone for a film 20 years earlier and had a terrible time with people booing, whistling, so I knew that in Cannes people can get aggressive.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
I left New York after my mother died and, rather aimlessly, had settled in Istanbul for a change of scene. It was a rather dramatic gesture on my part, since I'd lived in New York for 20 years, but I felt I needed something different - the escalating expense and pressure of New York had begun to weary me.
I've lived in New York when I've had nothing, and I've lived in New York when I had money, and New York changes radically depending on how much money you have. It's the texture of life.
I would stay two years in San Francisco, then move to New York in the summer of 1991, for the love of a man who lived there. When I arrived in New York, I had a job waiting for me, courtesy of a bookstore I'd worked at in San Francisco, A Different Light. They had a New York store as well, and arranged an employee transfer.
As I came to New York, it was for me a new beginning. To discover what people are living here. What do they need, what do they expect, what would they like to be the image and the performance of the New York Philharmonic?
You know, MMA doesn't need New York, New York needs MMA. And I say that with all due respect to New York.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
I thought New York had it coming, that it needed a kick in the balls. When I returned to New York, I wanted to get even. Now I had a weapon, photography.
I don't think I found my voice until I reached New York. I suppose it's possible I would have had some kind of different literary career if I had not discovered New York.
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