A Quote by Gary Payton

Assistants like Tim Grgurich worked with me and watched film of me from my Oregon State days. — © Gary Payton
Assistants like Tim Grgurich worked with me and watched film of me from my Oregon State days.
Coaching is something I really would do. A lot of people don't think I'm serious about it. I like working with the kids. When you work with the guys one-on-one and get them to understand it's a little bit better. That's the way I was taught by Tim Grgurich. That's how he taught us.
I've loved my days at Oregon State.
The assistants in France are not like they are in the States. Assistants are much more close to the film directors, and they used to have a kind of very artistic task. They used to do the casting, scouting, and so forth.
I remember watching the Twin Towers collapse. Because it was another country and looked like a film, I just sort of thought, 'Oh.' I didn't think that much. Then three days later, it hit me. I was in a terrible state, and I was tearful for three or four days.
I worked like a crazyman. I worked day and night, often days and nights at a time - without sleep. Gallons of coffee kept me awake; the paintings kept me fired up.
We're expecting a lot of rain in the state of Oregon, so let's just get rid of Oregon.
I was always into film, but theater was my entry point. I always felt like film didn't make sense to me as a kid. It was just so magical that I was like, 'There's something going on back there that I don't know.' But, when I watched theater, it was something that was happening in front of me.
One of the high points in my career came from a time I had with Tim Conway on a film when I had him fall down with laughter. I had this scene with him where I was this mechanic down fixing his car. I can't remember what my line was as written, but they were okay with me doing a made-up line. So Tim asks me what's wrong with his car, and I look up and say, "Well, looks like you got a squirrel caught up in there."
My local newspaper, the 'Bend Bulletin,' interviewed me while I was at high school after I had just signed with the University of Oregon. I remember I wore a University of Oregon hooded sweatshirt, and they took a picture of me in the long jump pit. I was freezing!
I didn't want to go to college. I went to Oregon two days to visit. And they were two sunny days. But me in college was not something I really wanted to do.
I've tried singing like somebody else, and it never worked for me. The only thing that has ever worked for me was me being me, so either you love it or not.
I have worked with Amitabh Bachchan in 'Pink' and 'Piku.' As soon as one film gets over, he is behind me, asking 'Which is the next film you are going to do with me?'
Working on Drive, a lot of fun. This is Tim Minear whom I've worked with before on Firefly of course. He called me up and said I've got a part for you that you will love and I love Tim's writing. I love his stories. I love his characters, his dialogue. He has a knack for reveals and he has a knack for moments.
Working on 'Drive', a lot of fun. This is Tim Minear whom I've worked with before on 'Firefly' of course. He called me up and said, 'I've got a part for you that you will love,' and I love Tim's writing. I love his stories. I love his characters, his dialogue. He has a knack for reveals and he has a knack for moments.
Yeah, in every film that I've been lucky enough to do with Tim, there's always some form of torture, and the nails were Tim's idea. They were the length of the fingers and stuff, but it was okay because I had a troop of people who would help me go to the bathroom. They had to have treatment afterwards but they're okay now. That is true.
Tim also has enough confidence so that it always looks like a Tim Burton film, but it really is collaborative. You're allowed to do it your way but of course he's always going to choose his way.
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