A Quote by Gary Ross

You rarely get a tentpole that has this much emotional depth, this much character to dive into. — © Gary Ross
You rarely get a tentpole that has this much emotional depth, this much character to dive into.
Be not over solicitous about education. It may be able to do much, but it does not do as much as expected from it. It may mould and direct the character, but it rarely alters it.
I can only speak for me... but in my life, I find that, in sobriety, I feel much more, and I have much more depth. I also feel - not to segue, but as being a parent of five kids, I can bring much more to my acting, and so I'm all about anything that gives you more feeling and more depth.
It's really easy to finish a movie and sort of immediately dive into the next one, because I love working with actors so much and being on set, my inclination is to try to get back to that as soon as possible. There's just never much of a gap.
Hip-hop is so much about character and caricature that people just see you as a character. Very rarely are you flesh and bone to people.
Beautiful women rarely possess sufficient depth of character to survive without their pretty feathers.
Drax isn't your average stereotypical soldier/warrior/musclehead. He actually has some depth. It was a character that I wanted to play, not only because I love acting so much, but also, I needed to play to get people to actually take me seriously as an actor and get away from the pro wrestling label.
It's a different kind of acting, this 'Law & Order' thing. They want two partners who can play off each other well and are fun to watch, but depth of character is not necessary in this job. Too much character gets in the way of the story. This is a very specific gig.
It's not right to say that only girls get emotional while watching a movie. I have seen so many men connecting with a movie so much that they get emotional.
With manga, in my art style, I don't do much in the way of techniques to create depth. But even though I don't do depth techniques through my art, I am conscious of depth itself.
I'm so excited. I love Peeta so much. I think that over the course of the next couple of books, he has so many interesting places to go to, character-wise. I'm ready to dive full-force into it. When I saw the movie actually, it got me energized. 'Let's go get some cameras! Let's go shoot the second one right now!'
I'm too much left brain. I very much have an emotional response to things; I love literature and films and storytelling. I need to nourish my right side, it doesn't get a lot of exercise.
Depth on different levels is so important to me. You look at a band like The Beatles, all their material has so much depth to it. And I want people to be able to run away with my melodies and get lost in them and take the lyrics and be able to relate to them.
Men of much depth of mind can bear a great deal of counsel; for it does not easily deface their own character, nor render their purposes indistinct.
A small pot boils quick. You can tell much about the depth of one's character by how quickly he 'boils'.
For me, the best characters are the ones that feel fully formed inside and out, so I try to have a very clear vision of exactly what they would wear, top to bottom, who they are, what their backstory is, what their family situation is, who are their friends, just creating as much of a three-dimensional character [as possible]. Because I think you could do a very broad character, but as long as there's some emotional truth to them you can get away with really crazy things.
You need to keep everyone wanting more. Every character has so much depth, and there was so much thought that went into it, but it would've taken away at some point from the main story, and everything I think kind of was woven together really beautifully, so that you cared about everyone, and everyone had their own story, but everything helped the main plotline.
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