A Quote by Gary Ross
I mean, in 'Big' and 'Pleasantville,' it's a journey that the characters go on where I think they come to kind of meet themselves at the end and who they actually are and give full voice to who they actually are. And that, you know, obviously fascinates me for some reason. Maybe I didn't adequately grow up.
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But I think there are some who believe they are actually protecting women, you know, and that it is better for women to be taken care of. I think women want to take care of themselves, and I think having a voice in how that is done is very important. And frankly, I don’t understand — I mean, I’m obviously a card-carrying Democrat — but I can’t understand why any woman would want to vote for Mitt Romney, except maybe Mrs. Romney.
I always try to write about something that's actually happened or it doesn't always have to have happened to me, but it has to have happened at some point. So every single lyric that you hear comes from some kind of story that I've come across in my life. I like to think that that maybe helps me mean it a bit more and if you don't mean it, it ceases to be soul music.
I would say [to my father], "Why don't you actually take some courses in physics instead of saying [you are not believing in gravity]?" But he would never do it. Businessmen for some reason or other, think, because they're successful in a single direction, that they know everything. You know what I mean? You ever meet people like that?
Cheating tends to come up a lot in my songs. Betrayal fascinates me. I think the fact that you can trust someone so much and then they go against that has always plagued my writing for some reason.
You know what an effective deterrent to crime is? Jail! And do you know what kind of criminal penalty actually makes people think twice about committing crimes the next time? The kind that actually comes out of some individual's pocket, not fines that come out of the corporate kitty.
I don't have a drawer full of ideas. I kind of look around and take notes and wonder what could actually be a whole movie. And each time, I think I'm going to do it more commercial this time; I'm going to get a big budget and make it. But I always come up with some small idea.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
The older man cocked his head and gave a laugh, "We get all the ladies. But for some reason I don't think you're here looking for me." "I don't know," Kat said. "I'm always in the market for good rappelling harness." "For you, my dear, nothing but the best." "But you are right about something. I'm actually trying to find---" "Young Mr. Hale, I'm assuming." Kate blushed. "Let me guess--I'm not the only one?" "Maybe. But you're the one i hope finds him." He gave a wink and walked away, and Kat didn't feel alone anymore in the big room full of people.
I can never kind of fathom a character's journey beyond the moment when you go to black, any more than when people ask me what Jason Patric did with the tape recorder at the end of 'Narc,' you know what I mean? Even in 'Blood, Guts,' like, what happens down the road with these characters?
I think a lot of people who maybe know me from one video or come upon me randomly think I'm stuck-up because I'm blonde, or the way I come off, or from something I might have said. But everybody who actually knows me knows that I'm very down-to-earth and super chill.
But I'm pretty lucky with my voice. When I first started touring I went to see a woman to give me some coaching on how not to lose my voice. And she was just saying really your voice is a muscle so if you're using it all the time you should actually come back from tour with a stronger voice than you left with. And that's really how I find it.
My dream right now is - and I don't know how to do it, and I don't know if it will work exactly - but just this sort of vague aspiration to start some kind of website where people send in their stories or poems, and me or perhaps some other people turn that into music. And then by the end of the year we make a record and actually put it out. Like a band, but the band is actually a combination of the musician and the fan. I think that's a very 21st-century way of doing it.
The representational-image urge is actually a kind of heightened perception, and I don't stop to think. I don't freeze up - it's actually a kind of letting-go. It's like dancing. At a certain point it's conscious, unconscious, everything is kind of coming together.
I think, to a degree, I'm maybe more suited for voice work. And I don't just mean my face and body. Because maybe there's something about what I do that just, for some reason, is better to just hear me.
I think it's very important to be mindful of your body and actually listen to it. If I'm craving a certain kind of food, I'll have, but I notice when I'm full. It's kind of like a logical diet. I think when people go on restrictive diets, they put too much stress on themselves, which might make them prone to bingeing.
Maybe you're not perfect, but you're willing to actually look at yourself and take some kind of accountability. That's a change. It might not mean that you can turn everything around, but I think there's something incredibly hopeful about that.
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