A Quote by Gary Rossington
We started playing 'Free Bird' in clubs, and initially, it was just a slow ballad.
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When I was 14, I started playing in the bigger clubs in Holland and when I was 17, I started playing all of the festivals there.
I got a chance to get an actual label. I performed this slow song, this ballad I have. I just remember going to the first woman I saw in the room and just getting on my knees holding her hand just singing. And I was like, you know what, I got to just sell it. I remember that day they were like, yo we want to sign you. [After] I went into the bathroom, I started crying, [and] I called my mom. I was like momma – I did it.
When I started writing material, I realised you could take a ballad like Usher's 'Nice and Slow,' sing the same melody over a garage track, and everyone would be up and dancing.
Initially, I was worried about playing Hansa, because Hansa is someone who talks a lot but does nothing. But after I started playing the character, it was such a relief.
When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.
When I was 14, I started playing for Taye Academy in the city of Owerri, and then my whole life became football. I dreamed of playing for certain clubs, or going places I'd never been before, but I just kept my ambitions to myself because I never really expected that I could get to these places.
Well, 'Crunk Rock' doesn't mean rock. Initially when I started the album, I did collaborate with a bunch of rock musicians and producers. But as I started to have time to free my mind and catch different vibes, it started to mean something different.
I was playing cowboys and Indians in the trees, and then I started hitting the golf club with clubs father sawed off for me, and I began playing right here with my father.
In 10th grade, I started playing defense. Mainly because we already had a great tailback. Once I started playing it, it just started growing on me. I liked it a lot.
I was always singing but didn't plan on pursuing it seriously. When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.
When Dream Theater first started, we were touring in a van and playing clubs.
Big clubs with one rich owner have been one of the main changes in football since I started playing.
I've spent most of my life watching fast bowlers - initially as a kid on TV and later in the flesh when I started playing top-level cricket.
I think that, initially, I was most passionate about music and particularly about playing the piano. I started playing when I was nine, and I was obsessed with it, really. I wouldn't even go spend the night at a friend's unless they had a piano. But I didn't have the chops, the extraordinary talent to be able to play the piano professionally.
Initially I started writing because I felt like I didn't fit in. I just moved to a new school and I felt quite lonely. I think that's where it all started for me.
I was in college, but I got kicked out. It was a very free school, but I created a "bad impression." Like I was a bit more fiery in those days. At the time I got kicked out, I knew exactly what I was going to do and didn't even bother to go back for a leaving certificate. Then I was singing in folk clubs around Birmingham and playing jazz in clubs on Sundays.
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